DÉJÀ-VU NO. 13 – LARRY CLARK
- Regular price
- $200.00 USD
- Regular price
-
- Sale price
- $200.00 USD
Déjà-vu No. 13 is a special issue dedicated to Larry Clark, published as part of the influential Japanese photography quarterly Déjà-vu.
Active during the early 1990s, Déjà-vu played a key role in shaping the dialogue between Japanese and Western photography, moving away from technical discourse toward a more curatorial and artist-focused approach.
This issue features an extensive selection of Clark’s work across approximately 90 pages, including images from his seminal series Tulsa, Teenage Lust, and later photographs from the early 1990s.
The publication reflects Clark’s uncompromising visual language raw, intimate, and deeply embedded in youth culture presenting a body of work that redefined documentary photography and influenced generations of artists.
Accompanied by bilingual essays in Japanese and English, the issue situates Clark’s work within a broader international context, reinforcing the publication’s role as a bridge between photographic cultures.
A highly collectible and important editorial piece from the early 1990s.
Collection: Déjà-vu
Year: 1993
Edition: No. 13
Language: Japanese / English
Format: Softcover
Dimensions: 29.8 × 22.8 cm
Pages: 162 pages
Condition: Very good condition.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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