DAVID LYNCH: "CHAOS THEORY OF VIOLENCE AND SILENCE"
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- $228.00 USD
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- $228.00 USD
Text: Takayo Iida (Chief Curator, Aomori Museum of Art) & David Lynch
Co-edited by: Yoshiko Ikoma (Art Dynamics)
Art Direction: Yuma Harada (UMA / design farm)
Design: Keisuke Yamazoe (UMA / design farm)
Translation: Fontaine Limited
Published by: Kimi Himeno, Akaaka Art Publishing
Printed and bound by: Onoue Print, Inc.
In collaboration with: Asymmetrical Productions
Exhibition organized by: Laforet Museum Harajuku
Supported by: Dom Pérignon
Publisher: Akaaka Art Publishing, Tokyo
Year: 2012. First edition. Printed in Japan.
Format: Softcover with dust jacket
Dimensions: Approx. 28.5 × 39 cm (11.25 × 15.5 in)
Pages: 136
Language: Japanese / English
ISBN: 9784903545936
Condition: Fine / perfect. No visible flaws. Dust jacket present and intact.
Published on the occasion of David Lynch's major exhibition at Laforet Museum Harajuku, this first edition presents a comprehensive survey of the filmmaker's parallel practice as a visual artist. Produced by Akaaka Art Publishing in 2012, the volume brings together paintings, drawings, photographs, and mixed-media works that reveal the same psychological tension and dreamlike atmosphere that define Lynch's cinema.
Rather than functioning as an exhibition catalogue alone, the book offers an immersive entry into Lynch's visual universe, where distorted figures, fragmented narratives, and haunting landscapes blur the boundaries between painting, photography, and film. Essays by Takayo Iida and David Lynch provide further insight into the artist's creative process and the relationship between his cinematic and studio practices.
Elegantly art directed by Yuma Harada and produced in close collaboration with Asymmetrical Productions, this large format Japanese first edition stands among the finest publications devoted to David Lynch's artwork.
An essential reference for collectors of contemporary art, photography, and one of the most influential multidisciplinary artists of the past half century.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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