DAVID BAILEY — TROUBLE AND STRIFE (1980), 1981 REPRINT
- Regular price
- $ 3,500.00 MXN
- Regular price
-
- Sale price
- $ 3,500.00 MXN
Published by: Thames and Hudson, London, 1980 (this copy: reprint, 1981)
Year: 1981 (reprint)
Dimensions: 27.3 × 21.3 cm
Language: English
Format: Hardcover, 96 pages, with 81 duotone illustrations
ISBN: 0-500-27208-1
Edition: Second printing (reprinted 1981)
Condition: Fine — exceptionally well preserved, with no visible imperfections, damage, or signs of wear. The cover, binding, and interior pages remain in excellent condition.
Trouble and Strife — Cockney rhyming slang for “wife” — is David Bailey's photographic portrait of Marie Helvin, his wife at the time. Originally published by Thames and Hudson in 1980, the book brings together 81 duotone photographs, with a preface by Jacques Henri Lartigue and an introduction by the artist Brian Clarke.
The book moves between fashion, portraiture, and intimacy, turning Bailey's camera toward the person closest to him. Rather than presenting Helvin solely through the conventions of fashion photography, Bailey constructs a sustained photographic portrait in which studio images, nudes, and more personal observations create an ambiguous space between public persona and private life.
Bailey's characteristic graphic economy is central to the book: strong blacks, frontal compositions, direct gazes, and tightly controlled framing give the photographs their distinctive tension. The resulting sequence carries the visual language that had made Bailey one of the defining photographers of Swinging London into a more intimate and personal context.
Lartigue's preface places the publication within a longer photographic tradition in which women close to the photographer become recurring and deeply personal subjects. Brian Clarke's introduction further situates the work within Bailey's broader artistic practice, connecting his photographic portraiture with his interest in image-making, personality, and visual culture.
Printed and bound in the United States, Trouble and Strife is an important document of Bailey's work at the intersection of fashion, portraiture, and autobiography, as well as a particularly direct record of his relationship with Marie Helvin.
Contains nude photography.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
Couldn't load pickup availability
Where every edition you’ve chosen remains within reach refined, recorded, remembered.