DANGEROUS RHYTHMS — NO. 6, WINTER 1985–86 (PUNK FANZINE)
- Regular price
- $ 2,500.00 MXN
- Regular price
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- Sale price
- $ 2,500.00 MXN
Issue: Dangerous Rhythms No. 6, Winter 1985–86 — “Big Thumbs Down Issue”
Published by: Lorn, Inc., Piscataway, New Jersey
Year: 1985
Editor and Publisher: Gene Temesy
Dimensions: 29.7 × 21 cm
Language: English
Format: Softcover fanzine, 19 numbered pages, bound with three original staples
Condition: Fine — exceptionally well preserved, with no visible imperfections or signs of wear. The three original staples remain intact, and the copy is in excellent condition.
Dangerous Rhythms was a punk and underground music fanzine from Piscataway, New Jersey, edited and published by Gene Temesy, who credits himself on the masthead with “Editor, Publisher, Layouts, Blame.” Issue No. 6, the “Big Thumbs Down Issue” from Winter 1985–86, appeared nine months after the previous issue, with Temesy opening the signed editorial by joking about the long delay.
The cover announces Das Yahoos, Mick Cancer, and “Free Cancer Treatment,” while the editorial immediately undercuts the promise by admitting that the supposedly “free” cover costs $0.99. The entire publication carries this deliberately irreverent tone, with a masthead featuring a “Complaint Division,” a “Vice President, Publicity” credited to Bryan Bruden, “Recommendation Consultants,” and contributors including Howard Wuelfling.
Temesy's editorial also promises that advertising has been “kept to a pleasing minimum,” accompanied by the characteristically sarcastic observation that there are people who “aren't in it for the money.” The result is a compact document of the DIY publishing culture surrounding the American punk and underground music scenes of the mid-1980s.
A complete and exceptionally well-preserved copy, retaining its original three-staple binding.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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