CROWDS 1977 - 1981
- Regular price
- $81.00 USD
- Regular price
-
- Sale price
- $81.00 USD
By Syd Shelton
Published by Café Royal Books, Southport | 2020
Softcover | 36 pages | 14.8 x 21 cm
Language: English
ISBN: 978-1910164941
Condition: Brand New
A visceral and unflinching fragment of British history, Crowds 1977–1981 captures a nation on the brink—through the lens of one of its most politically astute observers. Syd Shelton, co-founder of Rock Against Racism, turns his camera toward the collective: the crowd as resistance, as identity, as theatre of the streets.
His black-and-white photographs don’t just document—they confront. Shouts frozen mid-air, bodies pressed in shared urgency, faces electrified by sound and fury. In an era marked by Thatcherism, youth unrest, and cultural division, Shelton’s imagery becomes a chorus of dissent, stark and immediate.
Published by Café Royal Books in 2020, this edition is both compact and searing—a zine-like artifact that punches above its weight. A must for collectors of punk-era ephemera, social movement archives, and politically charged photography. Crowds is a mirror of revolt and a study in unity—fleeting, defiant, unforgettable.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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