CLICHÉS N° 20 – COLLECTIF
- Regular price
- $84.00 USD
- Regular price
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- Sale price
- $84.00 USD
An issue from the French photography publication Clichés, No. 20 presents a curated selection of works by multiple photographers active during the 1980s.
Featuring contributions from artists such as Paul Blanca, Diana Blok, Jean Paul Brohez, and Judy Dater, the publication reflects a diverse range of photographic approaches from portraiture and experimental work to documentary imagery.
Published in 1985, the issue captures a moment within the European photographic scene, where independent publications played a key role in disseminating new ideas and visual languages.
The magazine format allows for a dynamic combination of images and editorial content, functioning both as a platform for emerging voices and as an archive of photographic practice of the period.
A collectible example of 1980s photography publishing and independent editorial culture.
Publisher: Les Éditions du Stratège
Collection: Clichés
Year: 1985
Edition: No. 20
Language: French
Format: Magazine / Softcove
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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