CLICHÉS N° 20 – COLLECTIF
- Regular price
- $ 1,500.00 MXN
- Regular price
-
- Sale price
- $ 1,500.00 MXN
Contributors: Paul Blanca, Diana Blok, Jean Paul Brohez, Judy Dater, et al.
Publisher: Les Éditions du Stratège
Collection: Clichés
Year: 1985
Edition: No. 20
Format: Magazine / Softcover
Language: French
Condition: Very Good.
An issue of the French photography publication Clichés, No. 20 presents a curated selection of photographic works by artists working across different approaches to image-making during the 1980s.
Featuring contributions from Paul Blanca, Diana Blok, Jean Paul Brohez, Judy Dater, and others, the issue moves between portraiture, experimental photography, and documentary practices. The diversity of its contributors reflects the broader photographic landscape of the period, where personal approaches to the medium increasingly intersected with independent publishing and alternative visual culture.
Published in 1985, Clichés occupies a particular place within the European photography scene of the decade. Independent photographic magazines such as this provided an important platform for disseminating new work, allowing emerging and established photographers to appear within the same editorial framework and exposing readers to photographic languages beyond the conventions of mainstream publishing.
The magazine format creates a fluid relationship between image and editorial material, allowing individual bodies of work to exist as fragments within a larger photographic conversation. Rather than imposing a singular aesthetic, the publication operates as an evolving archive of practices, perspectives, and visual experiments from its period.
A collectible example of French independent photography publishing from the 1980s and a valuable document of the diverse photographic practices circulating through the European scene at the time.
A collectible example of 1980s photography publishing and independent editorial culture.
Publisher: Les Éditions du Stratège
Collection: Clichés
Year: 1985
Edition: No. 20
Language: French
Format: Magazine / Softcove
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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