CHRISTIANE F. – MOVIE PROGRAM BOOK
- Regular price
- $175.00 USD
- Regular price
-
- Sale price
- $175.00 USD
Film: Christiane F. – Wir Kinder vom Bahnhof Zoo
Directed by: Ulrich Edel
Published: Japan, 1982
Format: Softcover program book
Language: Japanese
Condition: Very Good. Light wear consistent with age; interior clean and well-preserved.
This Japanese movie souvenir program book was published in 1982 to accompany the release of Christiane F., directed by Ulrich Edel. Based on the real-life account Wir Kinder vom Bahnhof Zoo, the film became one of the most defining cinematic portrayals of youth, addiction, and urban alienation in late 1970s Berlin.
Japanese program books from this period are notable for their distinctive editorial formatcombining film stills, production notes, cast information, essays, and exclusive graphic layouts produced specifically for the Japanese market. This edition captures the stark atmosphere of the film through monochrome imagery and promotional photography centered on Natja Brunckhorst’s iconic portrayal of Christiane.
Beyond its cinematic importance, Christiane F. occupies a critical place in European countercultural history, further amplified by its soundtrack featuring David Bowie. The Japanese program format transforms the film into a collectible printed artifact part promotional object, part visual archive.
As an original 1982 Japanese release item, this program book stands as a period document of the film’s international impact and enduring cult status.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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