SIDETRIPPING
- Regular price
- $255.00 USD
- Regular price
-
- Sale price
- $255.00 USD
A defining photobook of the American underground, Sidetripping stands as one of the most transgressive publications of the 1970s, seen through the uncompromising lens of Charles Gatewood.
Produced in collaboration with William S. Burroughs, the book extends beyond photography into a broader cultural document bridging the visual language of counterculture with the literary legacy of the Beat Generation.
Gatewood’s images present a raw and immediate record of marginalized communities, alternative identities, and subcultural expression. Direct and unfiltered, the photographs move between documentation and confrontation, capturing moments that resist conventional boundaries of sexuality, performance, and personal freedom.
Rather than observing from a distance, Gatewood’s work immerses itself within these environments producing a body of images that feels both intimate and defiant.
A landmark publication situated at the intersection of photography, counterculture, and underground history.
Photographs: Charles Gatewood
Text: William S. Burroughs
Publisher: Strawberry Hill Publishing
Year: 1975
Edition: First Edition
Language: English
Format: Softcover
Dimensions: 26 × 26 cm
Condition: Very good condition. Light wear consistent with age; minor handling marks to covers. Interior clean; binding firm.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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