SIDETRIPPING
- Regular price
- $ 4,600.00 MXN
- Regular price
-
- Sale price
- $ 4,600.00 MXN
Photographs: Charles Gatewood
Text: William S. Burroughs
Publisher: Strawberry Hill Publishing
Year: 1975
Edition: First Edition
Language: English
Format: Softcover
Dimensions: 26 × 26 cm
Condition: Very Good. Light wear consistent with age; minor handling marks to covers. Interior clean; binding firm.
Sidetripping is a defining photobook of the American underground, standing as one of the most transgressive photographic publications of the 1970s. Produced through the uncompromising lens of Charles Gatewood, the book presents a raw and immersive portrait of the countercultural worlds that existed beyond the conventions of mainstream American society.
Gatewood's photographs extend beyond straightforward documentary practice, recording marginalized communities, alternative identities, underground performance, and forms of subcultural expression with an immediacy that remains striking. His images move between observation and confrontation, capturing environments shaped by experimentation, sexuality, personal freedom, and resistance to established social boundaries.
The book's collaboration with William S. Burroughs further situates Sidetripping within the literary and cultural history of the American underground. Burroughs's contribution connects Gatewood's visual language to the legacy of the Beat Generation, creating a publication in which photography and literature intersect as parallel forms of cultural dissent and experimentation.
Rather than maintaining the distance of a conventional documentary photographer, Gatewood works from within the environments he photographs. The resulting images possess an unusual sense of proximity, allowing gestures, bodies, performances, and encounters to unfold with an immediacy that is at once intimate and confrontational.
The photographs document communities and individuals whose lives existed outside dominant social conventions, while also reflecting the broader transformations of American culture during the 1970s. Gatewood's approach refuses to fully separate observer and subject, producing a body of work that is as much an encounter with underground culture as it is a photographic record of it.
Published by Strawberry Hill Publishing in 1975, this first edition occupies an important place within the history of underground photobooks. Its square format and direct photographic presentation reinforce the immediacy of Gatewood's images, while Burroughs's involvement places the publication within a wider network connecting photography, literature, counterculture, and experimental publishing.
A landmark document of American underground culture, Sidetripping remains an important publication at the intersection of photography, the Beat Generation, sexuality, performance, and the history of alternative communities in the 1970s.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
Couldn't load pickup availability
Where every edition you’ve chosen remains within reach refined, recorded, remembered.