Front cover of Rock Magazine (2002) featuring Brian Eno first edition with vinyl insert.
Interior spread featuring early Brian Eno photographs and archival notes.
Interview spread with Brian Eno discussing experimental sound and studio process.
Layout showing handwritten diagrams and conceptual sketches by Brian Eno.
Visual documentation from Eno’s New York period with rare images and text.
Spread featuring typography-heavy design with quotes from Eno.
Back-section collage of photos, notes, and editorial essays on Eno.
Back cover of Brian Eno Rock Magazine 2002 first edition published by Yuzuru Agi.
Front view of the original flexi-vinyl The Voice of Brian Eno 33⅓ RPM (1979).
Close-up detail of label and grooves of The Voice of Brian Eno flexi disc insert.
Front cover of Rock Magazine (2002) featuring Brian Eno first edition with vinyl insert.
Interior spread featuring early Brian Eno photographs and archival notes.
Interview spread with Brian Eno discussing experimental sound and studio process.
Layout showing handwritten diagrams and conceptual sketches by Brian Eno.
Visual documentation from Eno’s New York period with rare images and text.
Spread featuring typography-heavy design with quotes from Eno.
Back-section collage of photos, notes, and editorial essays on Eno.
Back cover of Brian Eno Rock Magazine 2002 first edition published by Yuzuru Agi.
Front view of the original flexi-vinyl The Voice of Brian Eno 33⅓ RPM (1979).
Close-up detail of label and grooves of The Voice of Brian Eno flexi disc insert.
Front cover of Rock Magazine (2002) featuring Brian Eno first edition with vinyl insert.
Interior spread featuring early Brian Eno photographs and archival notes.
Interview spread with Brian Eno discussing experimental sound and studio process.
Layout showing handwritten diagrams and conceptual sketches by Brian Eno.
Visual documentation from Eno’s New York period with rare images and text.
Spread featuring typography-heavy design with quotes from Eno.
Back-section collage of photos, notes, and editorial essays on Eno.
Back cover of Brian Eno Rock Magazine 2002 first edition published by Yuzuru Agi.
Front view of the original flexi-vinyl The Voice of Brian Eno 33⅓ RPM (1979).
Close-up detail of label and grooves of The Voice of Brian Eno flexi disc insert.
Front cover of Rock Magazine (2002) featuring Brian Eno first edition with vinyl insert.
Interior spread featuring early Brian Eno photographs and archival notes.
Interview spread with Brian Eno discussing experimental sound and studio process.
Layout showing handwritten diagrams and conceptual sketches by Brian Eno.
Visual documentation from Eno’s New York period with rare images and text.
Spread featuring typography-heavy design with quotes from Eno.
Back-section collage of photos, notes, and editorial essays on Eno.
Back cover of Brian Eno Rock Magazine 2002 first edition published by Yuzuru Agi.
Front view of the original flexi-vinyl The Voice of Brian Eno 33⅓ RPM (1979).
Close-up detail of label and grooves of The Voice of Brian Eno flexi disc insert.
Front cover of Rock Magazine (2002) featuring Brian Eno first edition with vinyl insert.
Interior spread featuring early Brian Eno photographs and archival notes.
Interview spread with Brian Eno discussing experimental sound and studio process.
Layout showing handwritten diagrams and conceptual sketches by Brian Eno.
Visual documentation from Eno’s New York period with rare images and text.
Spread featuring typography-heavy design with quotes from Eno.
Back-section collage of photos, notes, and editorial essays on Eno.
Back cover of Brian Eno Rock Magazine 2002 first edition published by Yuzuru Agi.
Front view of the original flexi-vinyl The Voice of Brian Eno 33⅓ RPM (1979).
Close-up detail of label and grooves of The Voice of Brian Eno flexi disc insert.

BRIAN ENO ROCK MAGAZINE (NEW YORK ISSUE)

$ 100.00 MXN
$ 100.00 MXN
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A richly layered and highly collectible publication, this New York–focused issue of Rock Magazine centers on the expansive creative universe of Brian Eno—tracing his work across sound, performance, and conceptual practice.

Edited by Yuzuru Agi and published in 2002, the issue brings together a dense constellation of visual and textual material spanning Eno’s activity from the late 1970s into the early 2000s. Across its 106 pages, the magazine assembles rare portraits, archival imagery, sketches, studio notes, and process-based ephemera that illuminate the evolution of his artistic thinking.

The publication is further enriched by contributions and appearances from a wide network of experimental and avant-garde figures, including Klaus Nomi, Robert Ashley, Gordon Mumma, John Cale, as well as groups such as Talking Heads and The Cramps—forming a broad and dynamic portrait of the experimental landscape in which Eno operated.

A distinctive feature of this first edition is the inclusion of the original flexi-vinyl insert, The Voice of Brian Eno (33⅓ RPM), recorded in New York in 1979. This rare audio document captures Eno’s voice with characteristic clarity and abstraction, offering direct insight into his ideas on sound, process, and composition during a formative period.

Agi’s editorial sensibility mirrors Eno’s own—layered, atmospheric, and exploratory—resulting in a publication that functions simultaneously as magazine, archive, and art object. A significant and sought-after piece for collectors of experimental music, visual culture, and artist-driven print.

Publisher: Yuzuru Agi
Year: 2002 (First Edition)
Language: English / Japanese
Format: Softcover
Dimensions: 29.7 × 23 cm
Pages: 106 pages
Condition: Very good condition. Light surface wear to cover; interior clean and tight. Flexi-vinyl insert preserved and in excellent condition.

Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.

We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.

Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.

To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.

We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.

Front cover of Rock Magazine (2002) featuring Brian Eno first edition with vinyl insert.

BRIAN ENO ROCK MAGAZINE (NEW YORK ISSUE)

$ 100.00 MXN
$ 100.00 MXN

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