ANDY WARHOL'S EXPOSURES
- Regular price
- $377.00 USD
- Regular price
-
- Sale price
- $377.00 USD
A vivid and highly personal portrait of celebrity culture through the lens of Andy Warhol, Andy Warhol’s Exposures gathers candid photographs of artists, designers, writers, musicians, and social figures captured by Warhol himself during the late 1970s.
Published in 1979 by Hutchinson, the book departs from the polished image-making traditionally associated with celebrity portraiture, instead presenting spontaneous and often intimate moments drawn from Warhol’s immediate social world. Arranged with an album-like sensibility, the publication reveals personalities in relaxed, playful, and unguarded states rarely seen in magazines or formal editorial contexts.
Among the figures featured are Yves Saint Laurent, Pierre Cardin, Don King, Diana Vreeland, and Truman Capote all observed through Warhol’s detached yet fascinated perspective. The title itself, Exposures, operates as both photographic terminology and subtle commentary on visibility, fame, and voyeurism.
Designed and edited by Warhol, the publication extends his broader exploration of celebrity and media culture. The layout and jacket design reflect the immediacy and visual rhythm associated with his artistic practice, transforming the book into both photographic archive and Pop artifact.
A compelling document of late twentieth century cultural life, Andy Warhol’s Exposures remains an essential collectible for those interested in photography, fashion, art, and celebrity culture.
Publisher: Hutchinson
Year: 1979
Language: English
Format: Hardcover
Dimensions: 29 × 24 × 2.5 cm
Pages: 255 pages
Condition: Very good condition. Dust jacket well preserved; cloth binding with minor rubbing and light wear.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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