JAPAN EXHIBITION 2000-2001 FROM THE COLLECTION OF MUGABRI
- Regular price
- $225.00 USD
- Regular price
-
- Sale price
- $225.00 USD
A rare exhibition catalogue published on the occasion of Andy Warhol Japan Exhibition 2000 2001, featuring works drawn from the collection of José Mugrabi one of the most important private holdings of Andy Warhol worldwide.
Published by Chunichi Shimbun, the volume documents a key moment in the global circulation of Warhol’s work at the turn of the millennium, presenting his imagery within a distinctly Japanese exhibition context.
The catalogue brings together a concentrated selection of Warhol’s most recognizable motifs silkscreen portraits, repetitions, and mass-media appropriations tracing his ongoing engagement with celebrity, consumer culture, and image production.
Less a survey than a tightly framed presentation, the publication reflects the depth and precision of the Mugrabi Family collection, where repetition becomes both method and language.
A quiet but significant object situated between exhibition document and collectible Warhol ephemera.
Collection: José Mugrabi
Publisher: Chunichi Shimbun
Year: 2000
Edition: First Edition
Language: Japanese / English (bilingual)
Format: Softcover (Exhibition Catalogue)
Dimensions: Approx. 21 × 30 cm
Condition: Very good condition. Light handling wear to covers; minor surface marks consistent with age. Interior pages clean and well preserved; binding firm.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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