JAPAN EXHIBITION 2000-2001 FROM THE COLLECTION OF MUGABRI

Artist: Andy Warhol
Collection: José Mugrabi
Publisher: Chunichi Shimbun
Year: 2000
Edition: First Edition
Language: Japanese / English (bilingual)
Format: Softcover, exhibition catalogue
Dimensions: Approx. 21 × 30 cm
Condition: Very Good. Light handling wear to covers; minor surface marks consistent with age. Interior pages clean and well preserved; binding firm.

Andy Warhol Japan Exhibition 2000–2001 is a rare exhibition catalogue featuring works drawn from the collection of José Mugrabi, one of the most important private holdings of Andy Warhol's work worldwide.

Published by Chunichi Shimbun on the occasion of the exhibition in Japan, the catalogue documents a significant moment in the international circulation of Warhol's work at the turn of the millennium. Presented within a distinctly Japanese exhibition context, the publication brings together a focused selection of works that reflects the breadth of Warhol's visual language and his enduring influence on contemporary image culture.

The catalogue includes some of Warhol's most recognizable motifs, including silkscreen portraits, serial repetitions, and appropriations of mass-media imagery. These works trace the artist's sustained engagement with celebrity, consumer culture, advertising, mechanical reproduction, and the transformation of images through repetition.

Rather than functioning as a comprehensive retrospective, the publication presents a tightly framed selection drawn from the José Mugrabi Collection, allowing the relationship between individual works and the broader logic of Warhol's practice to emerge through a concentrated exhibition format. Repetition operates not simply as a formal device, but as one of the central languages through which Warhol examined the production, circulation, and consumption of images.

The Japanese context of the exhibition is also significant. Published at the beginning of the twenty-first century, the catalogue reflects the continued international reception of Warhol's work and its movement between American popular culture, the global art market, and new exhibition contexts. Its bilingual presentation further situates the publication between local Japanese readership and the international discourse surrounding Warhol's work.

Published by Chunichi Shimbun in 2000, this first edition is both an exhibition document and a collectible piece of Warhol ephemera. Its association with the José Mugrabi Collection gives the catalogue particular bibliographic and collecting interest, preserving a focused record of Warhol's work as it was presented in Japan at the turn of the millennium.