AME
- Regular price
- $190.00 USD
- Regular price
-
- Sale price
- $190.00 USD
A rare and visually charged publication, Âme by Gilles Berquet stands as a defining work within the realm of fetish and avant-garde photography.
Published in 1992 by Jean-Pierre Faur, this hardcover volume presents over 70 images that articulate Berquet’s distinctive visual language one that merges elegance, theatricality, and erotic tension. His photographs construct a surreal and carefully staged universe, where the body becomes both subject and symbol, suspended between beauty and disquiet.
Berquet’s approach is marked by precision and atmosphere. Rather than direct provocation, the work unfolds through suggestion, composition, and mood—drawing from elements of surrealism, performance, and fetish culture to create images that are as formally composed as they are psychologically charged.
Limited to 2,000 copies, this first edition (second title) holds a strong position within niche photographic publishing. Its scarcity, combined with its cohesive and immersive aesthetic, makes it a sought-after piece among collectors of experimental and transgressive image-making.
A compelling and collectible volume that captures a unique intersection of eroticism, artifice, and visual intensity.
Publisher: Jean-Pierre Faur
Year: 1992
Language: French
Format: Hardcover
Dimensions: 21 × 27 cm
Pages: 126 pages
Condition: Brand new (dead stock; minor signs of age or wear may be present)
Edition: First edition, second title; limited to 2,000 copies
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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