ALFRED STIEGLITZ – PHOTOGRAPHS FROM THE COLLECTION OF GEORGIA O'KEEFE
- Regular price
- $ 2,500.00 MXN
- Regular price
-
- Sale price
- $ 2,500.00 MXN
Photographs: Alfred Stieglitz
Collection: Georgia O’Keeffe Collection
Publisher: Wildenstein Tokyo
Year: 1994
Edition: Exhibition Catalogue
Format: Softcover, oversize wrappers
Language: Japanese
Condition: Fine — clean interior; well-preserved copy; no visible damage.
Photographs from the Collection of Georgia O’Keeffe presents a refined selection of photographs by Alfred Stieglitz drawn from the personal collection of Georgia O’Keeffe. Published in conjunction with the 1994 exhibition at Wildenstein Tokyo, the catalogue offers an intimate view into one of the most consequential photographic relationships of the 20th century.
The selection reflects the breadth of Stieglitz’s practice, from his early pictorialist experiments to the increasingly direct and modernist language that defined his later work. His photographs move between atmosphere, abstraction, portraiture, and formal study, illustrating his central role in establishing photography as an autonomous form of fine art.
Particularly significant are the portraits of O’Keeffe, whose image Stieglitz returned to repeatedly over the course of their relationship. Rather than functioning solely as conventional portraiture, these photographs document an evolving visual investigation of identity, intimacy, age, gesture, and the body, creating one of the most extensive photographic records of a modern artist by another artist.
As both an exhibition document and a record of O’Keeffe’s personal holdings, the publication carries a particular archival significance. The collection provides a direct connection between the photographs and the artist who preserved them, placing Stieglitz’s work within the personal and artistic history shared by the two figures.
A significant reference for the study of early modern photography and the Stieglitz–O’Keeffe relationship, and a collectible Japanese exhibition catalogue from the 1994 Wildenstein Tokyo presentation.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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