DAZED AND CONFUSED JAPAN - ISSUE #62 2007
- Regular price
- $217.00 USD
- Regular price
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- Sale price
- $217.00 USD
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DAZED AND CONFUSED JAPAN - ISSUE #62 2007
- Regular price
- $217.00 USD
- Regular price
-
- Sale price
- $217.00 USD
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Published by Dazed and Confused Japan, November 2007
Softcover | 44 pages | 18.5 x 26 cm
Language: Japanese / English
Condition: Perfect
This rare 2007 issue of Dazed and Confused Japan spotlights the singular vision of Hedi Slimane—an artist who redefined the boundaries between fashion, photography, and youth culture. Known for his transformative impact at Dior Homme and Saint Laurent, Slimane’s presence in this edition is felt not through design, but through the lens.
Across 44 pages, Slimane offers a visual narrative that is both stark and poetic, capturing the raw beauty of youth, underground music, and contemporary identity with his unmistakable minimalist sensibility. The magazine becomes a platform for his photography to unfold—evocative, unfiltered, and charged with emotional clarity.
More than a magazine, this issue stands as a time capsule from the late 2000s, reflecting a moment when fashion, subculture, and editorial experimentation collided. For admirers of Slimane’s aesthetic and those drawn to the convergence of art and style, this is a collector’s artifact from an era shaped by his gaze.
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
The Story
Intermission exists in the space between documentation and devotion an ongoing archive of cultural fragments that refuse to vanish. Each title within our portfolio is selected not for trend, but for tension: between what was meant to disappear and what insists on remaining.
We work with objects that speak quietly but persistently publications, recordings, and editions that define the undercurrents of art, sound, and design. Together they form a living record of marginal brilliance, a collection that privileges significance over scale.
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
Collector Notes
Every Intermission title is handled as an artifact. We believe that preservation is an act of reverence one that begins the moment you open a cover or unspool a tape.
To experience a piece, do so slowly. Allow the air to touch the paper, let light fall softly over each page. Avoid excess pressure; handle edges rather than surfaces. Each mark, fold, or patina is part of its passage through time evidence of care rather than decay.
We encourage collectors to engage not only with the content, but with the gesture of preservation itself: a quiet commitment to memory.
If you still have any questions, feel free to contact us.
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Fragments of culture, preserved in the quiet.
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