{"product_id":"search-destroy-no-4-1977-78","title":"SEARCH \u0026 DESTROY — NO. 4 (1977–78)","description":"\u003cp\u003e\u003cstrong\u003ePublished by:\u003c\/strong\u003e Search \u0026amp; Destroy, San Francisco\u003cbr\u003e\u003cstrong\u003eYear:\u003c\/strong\u003e 1977\u003cbr\u003e\u003cstrong\u003eEditor:\u003c\/strong\u003e V. Vale\u003cbr\u003e\u003cstrong\u003eIssue:\u003c\/strong\u003e No. 4 — “New Wave Cultural Research”\u003cbr\u003e\u003cstrong\u003eCover Photograph:\u003c\/strong\u003e Charles Gatewood\u003cbr\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 27.9 × 21.6 cm folded (11 × 8.5 in); 27.9 × 43.2 cm open (11 × 17 in)\u003cbr\u003e\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Tabloid on newsprint, folded once as issued\u003cbr\u003e\u003cstrong\u003ePages:\u003c\/strong\u003e 24\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Good — fragile newsprint showing visible signs of age and handling throughout the format. The paper has naturally become delicate over time, consistent with the original production and the passage of nearly five decades. The copy remains complete and retains its original printed material.\u003c\/p\u003e\n\u003cp\u003eIssue No. 4 of \u003cem\u003eSearch \u0026amp; Destroy\u003c\/em\u003e is one of the defining numbers of V. Vale's San Francisco punk tabloid, published in 1977 at the moment when the emerging punk movement was beginning to connect previously separate underground scenes across the United States and Europe. The publication operated from City Lights Bookstore in North Beach and combined music journalism, photography, cultural criticism, interviews, and documentation of the rapidly developing new wave underground.\u003c\/p\u003e\n\u003cp\u003eThe cover features a photograph by Charles Gatewood of \u003cstrong\u003eHelen Wheels\u003c\/strong\u003e, the New York punk singer and performer. Gatewood's image captures Wheels onstage, embraced by a fan, with the physical intensity and intimacy that became characteristic of his documentation of underground culture. The photograph would become an important early connection between Gatewood and \u003cem\u003eSearch \u0026amp; Destroy\u003c\/em\u003e: V. Vale later recalled discovering Gatewood's work through his 1975 book \u003cem\u003eSidetripping\u003c\/em\u003e, and subsequently placing one of his photographs on the cover of this issue.\u003c\/p\u003e\n\u003cp\u003eThe issue's cover lines map the increasingly international reach of the punk underground: Iggy Pop, Jordan of the London SEX shop, Patti Smith, the Dead Boys, and the French band Metal Urbain. Inside, \u003cem\u003eSearch \u0026amp; Destroy\u003c\/em\u003e moves constantly between San Francisco, New York, London, and Paris, documenting musicians, performers, writers, photographers, and cultural figures before many of them had entered the established historical record.\u003c\/p\u003e\n\u003cp\u003eAmong the issue's subjects are Death, Iggy Pop, Hunt and Tony Sales, Jordan, De Sade, Patti Smith, Lance Loud and The Mumps, the Dead Boys, Metal Urbain, Helen Wheels, The Spitfire Boys, and Sham 69. The issue also includes photographs and contributions connected to Charles Gatewood, alongside period advertising that preserves the wider network of clubs, record labels, artists, and underground businesses surrounding the scene.\u003c\/p\u003e\n\u003cp\u003eThe interview with Jordan is particularly significant. Her appearance in \u003cem\u003eSearch \u0026amp; Destroy\u003c\/em\u003e No. 4 became an early printed document of the London punk milieu surrounding SEX, Vivienne Westwood, Malcolm McLaren, and the Sex Pistols. The issue therefore functions not simply as a San Francisco publication, but as a point of exchange between the American and British undergrounds at the height of punk's first international emergence.\u003c\/p\u003e\n\u003cp\u003ePrinted cheaply on whitened newsprint and folded once as issued, the physical construction of \u003cem\u003eSearch \u0026amp; Destroy\u003c\/em\u003e was deliberately closer to an underground newspaper than a conventional magazine. Its fragile paper stock has made surviving copies particularly vulnerable to handling, folding, and deterioration, adding to the archival importance of complete original examples.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSearch \u0026amp; Destroy\u003c\/em\u003e would ultimately run from 1977 to 1979, with eleven issues documenting the development of the early punk and new wave underground. V. Vale subsequently transformed the project into \u003cem\u003eRE\/Search\u003c\/em\u003e, extending its investigation into industrial music, transgressive literature, experimental culture, and outsider practices.\u003c\/p\u003e\n\u003cp\u003eNo. 4 is therefore an especially important issue within the short run: it captures the moment when San Francisco's scene was no longer isolated, but actively exchanging images, ideas, music, and people with New York, London, and continental Europe. The Gatewood cover, the international scope of its contents, and its fragile original tabloid format make it a particularly strong primary document of punk's first cultural network.\u003c\/p\u003e","brand":"search \u0026 destroy","offers":[{"title":"Default Title","offer_id":67649120502048,"sku":null,"price":2500.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0878\/0202\/0128\/files\/search-and-destroy-4-cover-intermission.jpg?v=1791266546","url":"https:\/\/intermissionbooks.com\/products\/search-destroy-no-4-1977-78","provider":"intermission books","version":"1.0","type":"link"}