{"title":"Music \u0026 Subculture","description":"\u003cp\u003ePhotobooks, zines, and ephemera from punk, post-punk, and underground music scenes documenting the bands, photographers, and DIY publications that defined youth culture and rebellion across five decades.\u003c\/p\u003e","products":[{"product_id":"destroy","title":"DESTROY","description":"\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003ePhotographs:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Denis Morris\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003ePublisher:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Rockin’on Editions, Tokyo\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eYear:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e 2002\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eEdition:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e First Edition\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eFormat:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Softcover\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eDimensions:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e 27 × 19 cm\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003ePages:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Approx. 200 pages, unpaginated\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eLanguage:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Japanese\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eCondition:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Very Good\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cem\u003e\u003cspan\u003eDestroy\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is the Japanese edition of Denis Morris’ uncompromising photographic archive of the Sex Pistols, one of the most volatile and influential groups to emerge from the British punk explosion of the mid-1970s.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eMorris photographed the Sex Pistols from within the turbulence surrounding the band, moving beyond conventional concert documentation to capture the atmosphere that formed around them: backstage encounters, travel, crowds, fans, exhaustion, intimacy, confrontation, and the charged relationship between performers and audience. His photographs preserve not only the mythology of the Pistols, but the physical and emotional environment of a scene in constant collision with itself.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe book presents punk as lived experience rather than polished retrospective history. The crowd is as significant as the musicians; disorder becomes part of the image, and fleeting gestures carry the same weight as the more recognizable portraits. Morris’ proximity to the band gives the work an immediacy that distinguishes it from later representations of the Sex Pistols and the wider punk movement.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003ePublished in Japan by Rockin’on Editions in 2002, this first edition reflects the enduring Japanese fascination with British punk and its visual culture. Its distinctly Japanese editorial presentation transforms Morris’ archive into a carefully constructed photobook object, preserving a period of cultural rupture through an intensely photographic language.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA significant edition for collectors of punk photography, Sex Pistols material, Japanese music publications, and twentieth-century subcultural archives.\u003c\/span\u003e\u003c\/p\u003e","brand":"sex pistols","offers":[{"title":"Default Title","offer_id":49845379662112,"sku":null,"price":4500.0,"currency_code":"MXN","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0878\/0202\/0128\/files\/destroy-sex-pistols-front-cover-intermission.png?v=1750864250"},{"product_id":"images-of-punk","title":"IMAGES OF PUNK","description":"\u003cp data-start=\"236\" data-end=\"413\"\u003e\u003cstrong data-start=\"236\" data-end=\"268\"\u003ePhotographs by Denis O’Regan\u003c\/strong\u003e\u003cbr data-start=\"268\" data-end=\"271\"\u003e\u003cstrong data-start=\"271\" data-end=\"319\"\u003ePublished by Castle Communications Ltd, 1999\u003c\/strong\u003e\u003cbr data-start=\"319\" data-end=\"322\"\u003e\u003cstrong data-start=\"322\" data-end=\"360\"\u003eSoftcover | 184 pages | 25 x 25 cm\u003c\/strong\u003e\u003cbr data-start=\"360\" data-end=\"363\"\u003e\u003cstrong data-start=\"363\" data-end=\"384\"\u003eLanguage: English\u003c\/strong\u003e\u003cbr data-start=\"384\" data-end=\"387\"\u003e\u003cstrong data-start=\"387\" data-end=\"411\"\u003eCondition: Good\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"415\" data-end=\"681\"\u003e\u003cem data-start=\"415\" data-end=\"431\"\u003eImages of Punk\u003c\/em\u003e is a visceral deep dive into the birth of a cultural revolution. With 1976 as its epicenter, this book captures the anarchic explosion of punk when fashion tore itself apart, music became a weapon, and attitude rewrote the rules of identity and art.\u003c\/p\u003e\n\u003cp data-start=\"683\" data-end=\"1107\"\u003eShot by acclaimed photographer Denis O’Regan, this collection is one of the most comprehensive visual testaments to the era, offering not just iconic portraits but also rare, intimate glimpses into the gritty chaos and electrifying charisma that defined the movement. From alleyways to stage dives, from safety pins to strobe lights, every image pulses with the immediacy of a scene that wasn’t just lived it was \u003cem data-start=\"1096\" data-end=\"1106\"\u003esurvived\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp data-start=\"1109\" data-end=\"1285\"\u003ePunk wasn’t just a sound it was a rupture. And \u003cem data-start=\"1156\" data-end=\"1172\"\u003eImages of Punk\u003c\/em\u003e charts its rise, its legacy, and its ongoing echo in everything from fashion to politics to underground culture.\u003c\/p\u003e\n\u003cp data-start=\"1287\" data-end=\"1382\"\u003eA cornerstone volume for lovers of subcultures, visual rebellion, and raw photographic history.\u003c\/p\u003e","brand":"denis o'regan","offers":[{"title":"Default Title","offer_id":50270230216992,"sku":"LI-DOR-0000001","price":136.0,"currency_code":"MXN","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0878\/0202\/0128\/files\/images-of-punk-front-cover-intermission-1.png?v=1749047729"},{"product_id":"white-trash-uncut","title":"WHITE TRASH UNCUT","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-start=\"230\" data-end=\"254\"\u003eBy Christopher Makos\u003c\/strong\u003e\u003cbr data-start=\"254\" data-end=\"257\"\u003e\u003cstrong data-start=\"257\" data-end=\"303\"\u003ePublished by Glitterati Incorporated, 2017\u003c\/strong\u003e\u003cbr data-start=\"303\" data-end=\"306\"\u003e\u003cstrong data-start=\"306\" data-end=\"336\"\u003eHardcover | 22.8 x 30.5 cm\u003c\/strong\u003e\u003cbr data-start=\"336\" data-end=\"339\"\u003e\u003cstrong data-start=\"339\" data-end=\"360\"\u003eLanguage: English\u003c\/strong\u003e\u003cbr data-start=\"360\" data-end=\"363\"\u003e\u003cstrong data-start=\"363\" data-end=\"387\"\u003eCondition: Brand New\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"391\" data-end=\"631\"\u003eA bold, gritty, and iconic portrayal of New York’s downtown underground in the 1970s, \u003cem data-start=\"477\" data-end=\"496\"\u003eWhite Trash Uncut\u003c\/em\u003e captures the raw electricity of a city on the edge—where punk, queer identity, and urban chaos collided to form a new visual language.\u003c\/p\u003e\n\u003cp data-start=\"633\" data-end=\"1045\"\u003eThis 2017 reissue breathes new life into Christopher Makos’s cult classic. While it omits the original 1977 edition’s three tri-fold posters, it compensates with additional, previously unpublished photographs that expand and deepen the archive of Makos’s confrontational yet tender lens. The result is a refreshed, unfiltered chronicle of glamour, filth, and artistic freedom at the height of cultural rebellion.\u003c\/p\u003e\n\u003cp data-start=\"1047\" data-end=\"1287\"\u003eMakos, a close collaborator of Warhol, turns his camera toward the underbelly of Manhattan to produce a visual anthem of rebellion and desire—\u003cem data-start=\"1189\" data-end=\"1208\"\u003eWhite Trash Uncut\u003c\/em\u003e is more than a book; it’s a manifesto dressed in leather, eyeliner, and truth.\u003c\/p\u003e\n\u003cp data-start=\"1289\" data-end=\"1385\"\u003eA must-have for collectors of punk history, queer visual culture, and transgressive photography.\u003c\/p\u003e","brand":"christopher makos","offers":[{"title":"Default Title","offer_id":50270322819360,"sku":"LI-CM-0000001","price":174.0,"currency_code":"MXN","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0878\/0202\/0128\/files\/white-trash-uncut-cover-1-intermission.png?v=1749051281"},{"product_id":"swiss-rebels","title":"SWISS REBELS","description":"\u003cp data-start=\"192\" data-end=\"449\"\u003e\u003cstrong data-start=\"192\" data-end=\"219\"\u003eBy Karlheinz Weinberger\u003c\/strong\u003e\u003cbr data-start=\"219\" data-end=\"222\"\u003e\u003cstrong data-start=\"222\" data-end=\"253\"\u003eEdited by Esther Woerdehoff\u003c\/strong\u003e\u003cbr data-start=\"253\" data-end=\"256\"\u003e\u003cstrong data-start=\"256\" data-end=\"295\"\u003ePublished June 2017 | First Edition\u003c\/strong\u003e\u003cbr data-start=\"295\" data-end=\"298\"\u003e\u003cstrong data-start=\"298\" data-end=\"348\"\u003eHardcover, clothbound | 240 pages | 22 x 30 cm\u003c\/strong\u003e\u003cbr data-start=\"348\" data-end=\"351\"\u003e\u003cstrong data-start=\"351\" data-end=\"390\"\u003e165 photographs | Language: English\u003c\/strong\u003e\u003cbr data-start=\"390\" data-end=\"393\"\u003e\u003cstrong data-start=\"393\" data-end=\"420\"\u003eISBN: 978-3-95829-329-8\u003c\/strong\u003e\u003cbr data-start=\"420\" data-end=\"423\"\u003e\u003cstrong data-start=\"423\" data-end=\"447\" data-is-only-node=\"\"\u003eCondition: Brand New\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"451\" data-end=\"830\"\u003eA subversive portrait of youth on the fringe, \u003cem data-start=\"497\" data-end=\"511\"\u003eSwiss Rebels\u003c\/em\u003e dives deep into the electrifying world of Karlheinz Weinberger a Swiss warehouse worker by day, and an underground visionary by night. With a camera as his weapon, Weinberger chronicled a generation of 1950s and '60s teenagers who rejected conformity and found identity in the raw aesthetics of American rock ’n’ roll.\u003c\/p\u003e\n\u003cp data-start=\"832\" data-end=\"1199\"\u003eThese were boys with slicked-back bouffants, homemade Elvis belts, and denim stacked high and tight outsiders who transformed rebellion into personal style. More than a visual record, Weinberger’s work is a radical document of desire and resistance, depicting not just youth culture, but queer yearning and masculine bravado at the edges of post-war European society.\u003c\/p\u003e\n\u003cp data-start=\"1201\" data-end=\"1551\"\u003eFrom biker gangs to laborers, from rockers to sportsmen, \u003cem data-start=\"1258\" data-end=\"1272\"\u003eSwiss Rebels\u003c\/em\u003e presents Weinberger’s bold homoerotic gaze and cements his place as one of the most daring visual chroniclers of mid century subculture. This first comprehensive monograph features 165 images across 240 pages, revealing the heartbeat of a hidden world where defiance met beauty.\u003c\/p\u003e\n\u003cp data-start=\"1553\" data-end=\"1655\"\u003eAn essential addition for collectors of queer archives, rebel aesthetics, and underground photography.\u003c\/p\u003e","brand":"karlheinz weinberger","offers":[{"title":"Default Title","offer_id":50273156825376,"sku":"LI-KW-0000001","price":217.0,"currency_code":"MXN","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0878\/0202\/0128\/files\/swiss-rebels-karlheinz-cover-1-intermission.png?v=1749138539"},{"product_id":"live-seeds","title":"LIVE SEEDS","description":"\u003cp data-start=\"94\" data-end=\"312\"\u003e\u003cstrong data-start=\"94\" data-end=\"128\"\u003eBy Nick Cave and The Bad Seeds\u003c\/strong\u003e\u003cbr data-start=\"128\" data-end=\"131\"\u003e\u003cstrong data-start=\"131\" data-end=\"171\"\u003ePublished by Mute Publications, 1993\u003c\/strong\u003e\u003cbr data-start=\"171\" data-end=\"174\"\u003e\u003cstrong data-start=\"174\" data-end=\"213\"\u003eSoftcover | 48 pages | 29.5 x 21 cm\u003c\/strong\u003e\u003cbr data-start=\"213\" data-end=\"216\"\u003e\u003cstrong data-start=\"216\" data-end=\"237\"\u003eLanguage: English\u003c\/strong\u003e\u003cbr data-start=\"237\" data-end=\"240\"\u003e\u003cstrong data-start=\"240\" data-end=\"310\"\u003eCondition: Good — Presents a small damage on the upper left corner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"314\" data-end=\"700\"\u003e\u003cem data-start=\"314\" data-end=\"326\"\u003eLive Seeds\u003c\/em\u003e captures the raw intensity and haunting atmosphere of Nick Cave and The Bad Seeds’ 1992 European tour through an intimate tour book companion to their acclaimed live album. This rare, large-format softcover edition blends evocative black-and-white photography, poetic lyrics, and compelling visual artwork, creating a visceral document of one of rock’s most enigmatic acts.\u003c\/p\u003e\n\u003cp data-start=\"702\" data-end=\"1045\"\u003eWith every page, the book transports readers into the moody and powerful world of the band’s live performances—where darkness and beauty collide, and music becomes ritual. A must-have collectible for fans and connoisseurs of alternative music history, \u003cem data-start=\"954\" data-end=\"966\"\u003eLive Seeds\u003c\/em\u003e is both a moment frozen in time and a timeless testament to artistic mystique.\u003c\/p\u003e","brand":"nick cave \u0026 the bad seeds","offers":[{"title":"Default Title","offer_id":50300692562208,"sku":"LI-NC-0000001","price":136.0,"currency_code":"MXN","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0878\/0202\/0128\/files\/live-seeds-nick-cave-cover-1-intermission.png?v=1749741666"},{"product_id":"early-dylan","title":"EARLY DYLAN","description":"\u003cp data-start=\"216\" data-end=\"450\"\u003e\u003cstrong data-start=\"216\" data-end=\"280\"\u003ePhotographs by Barry Feinstein, Daniel Kramer \u0026amp; Jim Marshall\u003c\/strong\u003e\u003cbr data-start=\"280\" data-end=\"283\"\u003e\u003cstrong data-start=\"283\" data-end=\"311\"\u003eForeword by Arlo Guthrie\u003c\/strong\u003e\u003cbr data-start=\"311\" data-end=\"314\"\u003e\u003cstrong data-start=\"314\" data-end=\"344\"\u003ePublished in Germany, 1999\u003c\/strong\u003e\u003cbr data-start=\"344\" data-end=\"347\"\u003e\u003cstrong data-start=\"347\" data-end=\"379\"\u003eHardcover | Language: German\u003c\/strong\u003e\u003cbr data-start=\"379\" data-end=\"382\"\u003e\u003cstrong data-start=\"382\" data-end=\"448\"\u003eCondition: Very Good — Includes original dust jacket protector\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"452\" data-end=\"783\"\u003e\u003cem data-start=\"452\" data-end=\"465\"\u003eEarly Dylan\u003c\/em\u003e is a visual tribute to the formative years of Bob Dylan, captured through the intimate and powerful lenses of three titans of music photography: Barry Feinstein, Daniel Kramer, and Jim Marshall. Each image speaks to a moment before the myth when Dylan was still emerging, unpredictable, and electric with possibility.\u003c\/p\u003e\n\u003cp data-start=\"785\" data-end=\"1109\"\u003ePublished in Germany in 1999, this edition offers a rare, European perspective on an American icon. The photographs, many of which have become defining images of the 1960s, are accompanied by a foreword from Arlo Guthrie, anchoring Dylan’s early trajectory within the folk revival and its evolving countercultural resonance.\u003c\/p\u003e\n\u003cp data-start=\"1111\" data-end=\"1304\"\u003eWhether contemplative, aloof, or defiantly direct, Dylan’s presence is magnetic throughout making \u003cem data-start=\"1209\" data-end=\"1222\"\u003eEarly Dylan\u003c\/em\u003e a must-have for collectors of music photography, Americana, and cultural history.\u003c\/p\u003e","brand":"bob dylan","offers":[{"title":"Default Title","offer_id":50308656628000,"sku":"LI-BD-0000001","price":271.0,"currency_code":"MXN","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0878\/0202\/0128\/files\/early-dylan-cover-1-intermission.png?v=1750033358"},{"product_id":"black-book","title":"BLACK BOOK","description":"\u003cp data-start=\"185\" data-end=\"285\"\u003e\u003cstrong data-start=\"185\" data-end=\"232\"\u003eBy Barry Miles | Design by Pearce Marchbank\u003c\/strong\u003e\u003cbr data-start=\"232\" data-end=\"235\"\u003e\u003cstrong data-start=\"235\" data-end=\"256\"\u003eLanguage: English\u003c\/strong\u003e\u003cbr data-start=\"256\" data-end=\"259\"\u003e\u003cstrong data-start=\"259\" data-end=\"283\"\u003eCondition: Very Good\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"287\" data-end=\"658\"\u003eA timeless visual tribute to one of music’s most transformative icons, \u003cem data-start=\"358\" data-end=\"383\"\u003eDavid Bowie: Black Book\u003c\/em\u003e offers an intimate look into the early chapters of Bowie’s extraordinary life and evolution. With over 100 photographs, this volume captures the essence of an artist in constant reinvention fluctuating between personas, genres, and visual identities with magnetic precision.\u003c\/p\u003e\n\u003cp data-start=\"660\" data-end=\"991\"\u003eWritten by Barry Miles and designed by Pearce Marchbank, this cult favorite merges rich visuals with concise, compelling commentary, tracing Bowie’s ascent from underground oddity to international star. Each image functions like a still from a larger performance one that shaped pop culture, fashion, and sound for decades to come.\u003c\/p\u003e\n\u003cp data-start=\"993\" data-end=\"1218\"\u003eOriginally published in the UK, this English-language edition is a must-have for collectors, music historians, and anyone drawn to the mythos of Ziggy, Aladdin, and the Thin White Duke. 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WHAT FUN WE HAD","description":"\u003cp data-start=\"238\" data-end=\"399\"\u003e\u003cstrong data-start=\"238\" data-end=\"257\"\u003eBy Gavin Watson\u003c\/strong\u003e\u003cbr data-start=\"257\" data-end=\"260\"\u003e\u003cstrong data-start=\"260\" data-end=\"290\"\u003ePublished by Damiani, 2019\u003c\/strong\u003e\u003cbr data-start=\"290\" data-end=\"293\"\u003e\u003cstrong data-start=\"293\" data-end=\"350\"\u003eHardcover | [Page count not specified] | 31 x 24.5 cm\u003c\/strong\u003e\u003cbr data-start=\"350\" data-end=\"353\"\u003e\u003cstrong data-start=\"353\" data-end=\"374\"\u003eLanguage: English\u003c\/strong\u003e\u003cbr data-start=\"374\" data-end=\"377\"\u003e\u003cstrong data-start=\"377\" data-end=\"399\"\u003eCondition: Brand New\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"401\" data-end=\"787\"\u003eBritish photographer Gavin Watson returns with \u003cem data-start=\"448\" data-end=\"469\"\u003eOh! What Fun We Had\u003c\/em\u003e, a vivid and deeply personal chronicle of youth culture in late 20th-century Britain. Known for his groundbreaking documentation of the skinhead movement, Watson expands his lens to reveal lesser-seen moments intimate, joyful, and unexpectedly tender within a subculture often misrepresented in mainstream narratives.\u003c\/p\u003e\n\u003cp data-start=\"789\" data-end=\"1211\"\u003eBuilding upon the legacy of his earlier works \u003cem data-start=\"835\" data-end=\"842\"\u003eSkins\u003c\/em\u003e (1994) and \u003cem data-start=\"854\" data-end=\"869\"\u003eSkins \u0026amp; Punks\u003c\/em\u003e (2008), this monograph dives further into Watson’s personal archive, tracing the lives of the ‘Wycombe Skins’ his younger brother Neville and their circle of friends. 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Watson’s lens captures the everyday mischief, parties, friendships, and fashion that defined a generation often with warmth and raw immediacy.\u003c\/p\u003e\n\u003cp data-start=\"1605\" data-end=\"1831\"\u003eThe book also offers rare insight into the roots of London’s underground party scene and the early stirrings of rave culture, showing how a rebellious youth aesthetic evolved into a broader creative force in music and fashion.\u003c\/p\u003e\n\u003cp data-start=\"1833\" data-end=\"2053\"\u003eAuthentic, unapologetic, and fiercely human, \u003cem data-start=\"1878\" data-end=\"1899\"\u003eOh! 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Lou Reed, prophet of the margins, offers lyrics that cut deep into the urban psyche—where hard drugs, sadomasochism, and existential drift become not just themes, but declarations.\u003c\/p\u003e\n\u003cp data-start=\"964\" data-end=\"1290\"\u003eThis bilingual edition presents the original lyrics and their Spanish translations from seminal albums like \u003cem data-start=\"1072\" data-end=\"1103\"\u003eThe Velvet Underground \u0026amp; Nico\u003c\/em\u003e, \u003cem data-start=\"1105\" data-end=\"1129\"\u003eWhite Light\/White Heat\u003c\/em\u003e, \u003cem data-start=\"1131\" data-end=\"1139\"\u003eLoaded\u003c\/em\u003e, \u003cem data-start=\"1141\" data-end=\"1145\"\u003eVU\u003c\/em\u003e, \u003cem data-start=\"1147\" data-end=\"1161\"\u003eAnother View\u003c\/em\u003e, and \u003cem data-start=\"1167\" data-end=\"1173\"\u003e1969\u003c\/em\u003e. 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Syd Shelton, co-founder of \u003cem data-start=\"505\" data-end=\"526\"\u003eRock Against Racism\u003c\/em\u003e, turns his camera toward the collective: the crowd as resistance, as identity, as theatre of the streets.\u003c\/p\u003e\n\u003cp data-start=\"634\" data-end=\"932\"\u003eHis black-and-white photographs don’t just document—they confront. Shouts frozen mid-air, bodies pressed in shared urgency, faces electrified by sound and fury. In an era marked by Thatcherism, youth unrest, and cultural division, Shelton’s imagery becomes a chorus of dissent, stark and immediate.\u003c\/p\u003e\n\u003cp data-start=\"934\" data-end=\"1258\"\u003ePublished by Café Royal Books in 2020, this edition is both compact and searing—a zine-like artifact that punches above its weight. A must for collectors of punk-era ephemera, social movement archives, and politically charged photography. \u003cem data-start=\"1173\" data-end=\"1181\"\u003eCrowds\u003c\/em\u003e is a mirror of revolt and a study in unity—fleeting, defiant, unforgettable.\u003c\/p\u003e","brand":"syd shelton","offers":[{"title":"Default Title","offer_id":50441585131808,"sku":"LI-CRB-SS-0000001","price":81.0,"currency_code":"MXN","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0878\/0202\/0128\/files\/syd-shelton-crowds-1977-1981-book-cover-intermission.png?v=1752506170"},{"product_id":"1983-ymo-japan-tour-chaos","title":"1983 YMO JAPAN TOUR CHAOS","description":"\u003cp data-start=\"0\" data-end=\"209\"\u003eA visually rich and conceptually driven publication, \u003cem data-start=\"53\" data-end=\"80\"\u003e1983 YMO Japan Tour Chaos\u003c\/em\u003e captures the aesthetic and philosophical universe of \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eYellow Magic Orchestra\u003c\/span\u003e\u003c\/span\u003e at a pivotal moment in their history.\u003c\/p\u003e\n\u003cp data-start=\"211\" data-end=\"688\"\u003ePublished in 1983 by \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eYoroshita Music\u003c\/span\u003e\u003c\/span\u003e, the book coincides with the group’s first disbandment, offering a retrospective account of their activity during the preceding five years. 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Its large-format softcover design (26.5 × 20 cm) makes it a distinctive collectible for fans of the Velvet Underground and Japanese music publications.\u003c\/p\u003e","brand":"lou reed \u0026 the velvet underground","offers":[{"title":"Default Title","offer_id":50619067367712,"sku":"LI-LREED-00000001","price":140.0,"currency_code":"MXN","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0878\/0202\/0128\/files\/up-tight-the-velvet-underground-story-book-cover-intermission.png?v=1755912777"},{"product_id":"terry-the-terry-richardson-purple-book","title":"TERRY: THE TERRY RICHARDSON PURPLE BOOK","description":"\u003cp data-start=\"0\" data-end=\"260\"\u003eAn intimate and autobiographical publication, this volume presents a selection of photographs from the personal archive of \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eTerry Richardson \u003c\/span\u003e\u003c\/span\u003eoffering a rare glimpse into the formative years that preceded his rise within fashion photography.\u003c\/p\u003e\n\u003cp data-start=\"262\" data-end=\"623\"\u003ePublished in 2004 by \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003ePurple\u003c\/span\u003e\u003c\/span\u003e as a supplement to \u003cem data-start=\"340\" data-end=\"356\"\u003ePurple Fashion\u003c\/em\u003e magazine, the book departs from Richardson’s later high-gloss aesthetic to focus instead on vernacular imagery. The photographs trace his American childhood, adolescence, and early working life, revealing a more unguarded and introspective dimension of his practice.\u003c\/p\u003e\n\u003cp data-start=\"625\" data-end=\"943\"\u003eMarked by immediacy and rawness, these images foreground everyday moments, personal environments, and social encounters that would later inform his visual language. The sequencing emphasizes intimacy and subjectivity, positioning the work closer to diary or snapshot archive than to conventional editorial photography.\u003c\/p\u003e\n\u003cp data-start=\"945\" data-end=\"1131\"\u003eModest in scale yet significant in content, the publication functions as both personal document and contextual key illuminating the experiential foundations of Richardson’s later output.\u003c\/p\u003e\n\u003cp data-start=\"1133\" data-end=\"1314\"\u003e\u003cstrong data-start=\"1133\" data-end=\"1147\"\u003ePublisher:\u003c\/strong\u003e Purple, Paris\u003cbr data-start=\"1161\" data-end=\"1164\"\u003e\u003cstrong data-start=\"1164\" data-end=\"1173\"\u003eYear:\u003c\/strong\u003e 2004\u003cbr data-start=\"1178\" data-end=\"1181\"\u003e\u003cstrong data-start=\"1181\" data-end=\"1194\"\u003eLanguage:\u003c\/strong\u003e English\u003cbr data-start=\"1202\" data-end=\"1205\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"1205\" data-end=\"1216\"\u003eFormat:\u003c\/strong\u003e Softcover\u003cbr data-start=\"1226\" data-end=\"1229\"\u003e\u003cstrong data-start=\"1229\" data-end=\"1244\"\u003eDimensions:\u003c\/strong\u003e Approx. 27 × 21 cm\u003cbr data-start=\"1263\" data-end=\"1266\"\u003e\u003cstrong data-start=\"1266\" data-end=\"1276\"\u003ePages:\u003c\/strong\u003e 56 pages\u003cbr data-start=\"1285\" data-end=\"1288\"\u003e\u003cstrong data-start=\"1288\" data-end=\"1302\"\u003eCondition:\u003c\/strong\u003e Brand new\u003c\/p\u003e","brand":"terry richardson","offers":[{"title":"Default Title","offer_id":50619085717792,"sku":"LI-TR-0000002","price":150.0,"currency_code":"MXN","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0878\/0202\/0128\/files\/terry-the-terry-richardson-purple-book-cover-intermission.png?v=1755914068"},{"product_id":"pigxtras-the-harmony-korine-purple-book","title":"PIGXTRAS: THE HARMONY KORINE PURPLE BOOK","description":"\u003cp data-start=\"64\" data-end=\"178\"\u003ePublished by Purple Fashion Magazine, Paris | 2008\u003cbr data-start=\"114\" data-end=\"117\"\u003eSoftcover, 88 pages, approx. 27 × 21 cm\u003cbr data-start=\"156\" data-end=\"159\"\u003eLanguage: English\u003c\/p\u003e\n\u003cp data-start=\"180\" data-end=\"560\"\u003eA special edition supplement to \u003cem data-start=\"212\" data-end=\"237\"\u003ePurple Fashion Magazine\u003c\/em\u003e No. 10. The publication presents a series of black-and-white stills from Harmony Korine, offering a raw and intimate look into the creative process behind his film work. Characteristic of Korine’s publications, the volume is both rare and visually striking, capturing his distinctive, offbeat energy and narrative style.\u003c\/p\u003e","brand":"harmony korine","offers":[{"title":"Default Title","offer_id":50619097186592,"sku":"LI-HK-0000002","price":140.0,"currency_code":"MXN","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0878\/0202\/0128\/files\/pigxtras-the-harmony-korine-purple-book-cover-intermission.png?v=1755914502"},{"product_id":"silver-star-club-07-burroughs-plus-beatnik","title":"SILVER STAR CLUB 07 - BURROUGHS PLUS BEATNIK","description":"\u003cp data-start=\"114\" data-end=\"215\"\u003ePublished by Peyotl Sha (ペヨトル工房) | Japan | 1980\u003c\/p\u003e\n\u003cp data-start=\"217\" data-end=\"509\"\u003eSoftcover book bringing together the works and voices of William S. Burroughs, Allen Ginsberg, and Jack Kerouac. Part of the \u003cem data-start=\"342\" data-end=\"360\"\u003eSilver Star Club\u003c\/em\u003e (銀星倶楽部) series, which was a Japanese avant-garde publication project by Peyotl Sha that explored experimental literature, counterculture, and art.\u003c\/p\u003e\n\u003cp data-start=\"511\" data-end=\"886\"\u003eThis edition is especially significant as it introduced Japanese readers to the Beat Generation’s most influential figures through translated texts, essays, and archival material. Known for its unique design and underground appeal, \u003cem data-start=\"743\" data-end=\"761\"\u003eSilver Star Club\u003c\/em\u003e volumes are now highly collectible for their role in bridging Western avant-garde with Japanese counterculture publishing.\u003c\/p\u003e\n\u003cp data-start=\"888\" data-end=\"1034\"\u003eCondition: Used. All issues are second-hand, so expect variations in wear (from clean to more visibly worn). Please refer to images for details.\u003c\/p\u003e\n\u003cp data-start=\"217\" data-end=\"509\"\u003e \u003c\/p\u003e","brand":"silver star club","offers":[{"title":"Default Title","offer_id":50619100954912,"sku":"LI-STC-0000001","price":500.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0878\/0202\/0128\/files\/silver-star-club-07-burrouhs-book-cover-intermission.jpg?v=1755914988"},{"product_id":"rockinon-2002-10","title":"ROCKIN'ON 2002\/10","description":"\u003cp data-start=\"235\" data-end=\"450\"\u003e\u003cstrong data-start=\"235\" data-end=\"252\"\u003ePublished by:\u003c\/strong\u003e Rockin’On, Japan, October 2002\u003cbr data-start=\"283\" data-end=\"286\"\u003e\u003cstrong data-start=\"286\" data-end=\"318\"\u003eSoftcover, approx. 200 pages\u003c\/strong\u003e\u003cbr data-start=\"318\" data-end=\"321\"\u003e\u003cstrong data-start=\"321\" data-end=\"337\"\u003e28.5 x 21 cm\u003c\/strong\u003e\u003cbr data-start=\"337\" data-end=\"340\"\u003e\u003cstrong data-start=\"340\" data-end=\"353\"\u003eLanguage:\u003c\/strong\u003e Japanese\u003cbr data-start=\"362\" data-end=\"365\"\u003e\u003cstrong data-start=\"365\" data-end=\"379\" data-is-only-node=\"\"\u003eCondition:\u003c\/strong\u003e Very Good Slight signs of age and minor wear consistent with time.\u003c\/p\u003e\n\u003cp data-start=\"452\" data-end=\"795\"\u003eThis October 2002 issue of \u003cem data-start=\"479\" data-end=\"490\"\u003eRockin’On\u003c\/em\u003e magazine captures the energy of Japan’s vibrant early 2000s music scene. Featuring extensive coverage of \u003cstrong data-start=\"596\" data-end=\"615\"\u003eSummer Sonic 02\u003c\/strong\u003e and \u003cstrong data-start=\"620\" data-end=\"645\"\u003eFuji Rock Festival 02\u003c\/strong\u003e, this edition offers in-depth interviews, live reports, and exclusive photo spreads of both international and Japanese artists who defined the era.\u003c\/p\u003e\n\u003cp data-start=\"797\" data-end=\"964\"\u003eA valuable snapshot of Japan’s alternative and rock landscape, this issue reflects the cultural momentum of the time from festival stages to underground movements.\u003c\/p\u003e\n\u003cp data-start=\"966\" data-end=\"1060\"\u003eA must have for collectors of Japanese music magazines and fans of early 2000s rock culture.\u003c\/p\u003e","brand":"rockin on","offers":[{"title":"Default Title","offer_id":50779731656992,"sku":"LI-RO-0000001","price":800.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0878\/0202\/0128\/files\/rockin-on-2002-10-front-cover-intermission.jpg?v=1759977784"},{"product_id":"rockinon-1984-4","title":"ROCKIN'ON 1984\/4","description":"\u003cp data-start=\"193\" data-end=\"393\"\u003e\u003cstrong data-start=\"193\" data-end=\"210\"\u003ePublished by:\u003c\/strong\u003e Rockin’On, Japan, April 1984\u003cbr data-start=\"239\" data-end=\"242\"\u003e\u003cstrong data-start=\"242\" data-end=\"274\"\u003eSoftcover, approx. 180 pages\u003c\/strong\u003e\u003cbr data-start=\"274\" data-end=\"277\"\u003e\u003cstrong data-start=\"277\" data-end=\"293\"\u003e28.5 x 21 cm\u003c\/strong\u003e\u003cbr data-start=\"293\" data-end=\"296\"\u003e\u003cstrong data-start=\"296\" data-end=\"309\"\u003eLanguage:\u003c\/strong\u003e Japanese\u003cbr data-start=\"318\" data-end=\"321\"\u003e\u003cstrong data-start=\"321\" data-end=\"335\" data-is-only-node=\"\"\u003eCondition:\u003c\/strong\u003e Very Good  Light wear and slight yellowing due to age.\u003c\/p\u003e\n\u003cp data-start=\"395\" data-end=\"755\"\u003eThis April 1984 issue of \u003cem data-start=\"420\" data-end=\"431\"\u003eRockin’On\u003c\/em\u003e magazine offers a fascinating glimpse into Japan’s music and pop culture scene during the early 1980s. Featuring exclusive interviews, critical essays, and photo spreads of leading international and Japanese artists, it captures a pivotal era of transition between post-punk, new wave, and the emerging alternative sound.\u003c\/p\u003e\n\u003cp data-start=\"757\" data-end=\"951\"\u003eA rare and collectible issue, \u003cem data-start=\"787\" data-end=\"805\"\u003eRockin’On 4\/1984\u003c\/em\u003e stands as a testament to the magazine’s deep influence on Japanese rock journalism and its role in connecting global and local music movements.\u003c\/p\u003e\n\u003cp data-start=\"953\" data-end=\"1066\"\u003eAn essential addition for collectors of vintage Japanese music magazines and enthusiasts of 1980s rock culture.\u003c\/p\u003e","brand":"rockin on","offers":[{"title":"Default Title","offer_id":50779769274656,"sku":"LI-RO-00000002","price":45.0,"currency_code":"MXN","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0878\/0202\/0128\/files\/rockin-on-1984-4-magazine-cover-intermission.jpg?v=1759978393"},{"product_id":"david-bailey-rock-and-roll-heroes","title":"ROCK AND ROLL HEROES","description":"\u003cp data-start=\"796\" data-end=\"1119\"\u003e\u003cstrong data-start=\"309\" data-end=\"326\"\u003ePublished by:\u003c\/strong\u003e Thames \u0026amp; Hudson Ltd, 1997\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eSoftcover with integral dust jacket (French flaps)\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eLanguage: \u003c\/strong\u003eEnglish\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very Good. \u003cmeta charset=\"utf-8\"\u003eIncludes the original French-flap dust jacket, fully intact.\u003cem data-start=\"796\" data-end=\"833\"\u003e\u003cbr data-start=\"352\" data-end=\"355\"\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-start=\"796\" data-end=\"1119\"\u003e\u003cem data-start=\"796\" data-end=\"833\"\u003eDavid Bailey’s Rock and Roll Heroes\u003c\/em\u003e assembles more than eighty of Bailey’s most iconic photographs an unmatched visual chronicle of the pop and rock landscape from the 1960s to the early 2000s. Capturing the electricity, charisma, and mythology of music culture, Bailey presents the figures who shaped entire generations.\u003c\/p\u003e\n\u003cp data-start=\"1121\" data-end=\"1457\"\u003eThe book features some of Bailey’s earliest portraits of Mick Jagger, John Lennon, Paul McCartney, and The Who, alongside later sessions with Liam and Noel Gallagher of Oasis. It also includes striking images of Bob Dylan, Patti Smith, John Lydon, Boy George, Tina Turner, and Sting, forming a personal pantheon of modern music legends.\u003c\/p\u003e\n\u003cp data-start=\"1459\" data-end=\"1767\"\u003eA standout section documents the 1985 Live Aid concert, portraying Bob Geldof, Queen, and others at the height of their cultural impact. Bailey’s lens also reaches toward earlier icons Fred Astaire, Miles Davis, Duke Ellington captured with the same bold clarity and irreverent honesty that defines his work.\u003c\/p\u003e\n\u003cp data-start=\"1769\" data-end=\"1945\"\u003eThis softcover large format edition offers a generous, immersive view of Bailey’s signature portraiture: raw, stylish, and charged with the unmistakable pulse of rock and roll.\u003c\/p\u003e","brand":"david bailey","offers":[{"title":"Default Title","offer_id":50999061971232,"sku":"LI-DB-0000002","price":200.0,"currency_code":"MXN","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0878\/0202\/0128\/files\/david-bailey-rock-and-roll-heroes-softcover-cover-intermission.jpg?v=1764653063"},{"product_id":"born-to-lose-johnny-thunders-jicc-1992","title":"BORN TO LOSE JAPANESE EDITION","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-start=\"336\" data-end=\"353\"\u003ePublished by:\u003c\/strong\u003e JICC, Tokyo, 1992\u003cbr data-start=\"371\" data-end=\"374\"\u003e\u003cstrong data-start=\"374\" data-end=\"398\"\u003eSoftcover, 160 pages\u003c\/strong\u003e\u003cbr data-start=\"398\" data-end=\"401\"\u003e\u003cstrong data-start=\"401\" data-end=\"417\"\u003e18 × 25.5 cm\u003c\/strong\u003e\u003cbr data-start=\"417\" data-end=\"420\"\u003e\u003cstrong data-start=\"420\" data-end=\"433\"\u003eLanguage:\u003c\/strong\u003e Japanese\u003cbr data-start=\"442\" data-end=\"445\"\u003e\u003cstrong data-start=\"445\" data-end=\"459\" data-is-only-node=\"\"\u003eCondition:\u003c\/strong\u003e Excellent. Clean, tight, sharp, and remarkably well preserved for its age; no visible wear.\u003c\/p\u003e\n\u003cp data-start=\"553\" data-end=\"890\"\u003e\u003cem data-start=\"553\" data-end=\"567\"\u003eBorn to Lose\u003c\/em\u003e stands as one of the most compelling visual documents dedicated to \u003cstrong data-start=\"635\" data-end=\"654\"\u003eJohnny Thunders\u003c\/strong\u003e, the incendiary guitarist of the New York Dolls and The Heartbreakers. Released in Japan shortly after his passing, this edition serves not as a memorial, but as a raw and unfiltered encounter with one of punk’s most enigmatic figures.\u003c\/p\u003e\n\u003cp data-start=\"892\" data-end=\"1331\"\u003eAcross its 160 pages unfolds a photographic chronicle that moves between electricity and collapse: Thunders onstage, ablaze with charisma; Thunders offstage, suspended in moments of quiet volatility; Thunders in transit, drifting between exhaustion, humor, fragility, and performance. The images printed with striking clarity form a portrait that is both intimate and unsentimental, revealing the gravity and vulnerability behind his myth.\u003c\/p\u003e\n\u003cp data-start=\"1333\" data-end=\"1606\"\u003eFar from romanticizing self-destruction, \u003cem data-start=\"1374\" data-end=\"1388\"\u003eBorn to Lose\u003c\/em\u003e exposes the physical and emotional landscape of an artist who lived permanently on the edge. It captures the immediacy of the punk era before it became history: its sweat, its shadows, its pulse, its necessary danger.\u003c\/p\u003e\n\u003cp data-start=\"1608\" data-end=\"1908\"\u003eIncluded is a complete discography, grounding the photographs within the arc of Thunders’s influential and turbulent career. For collectors, musicians, and students of punk’s visual culture, this Japanese edition remains an essential artifact an object that preserves not only images, but atmosphere.\u003c\/p\u003e\n\u003cp data-start=\"1910\" data-end=\"2114\"\u003eDecades after its publication, \u003cem data-start=\"1941\" data-end=\"1955\"\u003eBorn to Lose\u003c\/em\u003e still resonates with an almost documentary urgency, offering a rare, unvarnished look at a figure whose legend continues to haunt the margins of modern music.\u003c\/p\u003e","brand":"johnny thunders","offers":[{"title":"Default Title","offer_id":50999190323488,"sku":"LI-JT-0000001","price":4500.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0878\/0202\/0128\/files\/born-to-lose-jicc-1992-intermission-cover.jpg?v=1764656245"},{"product_id":"doug-yule-69-on-the-road-velvet-underground-1996","title":"'69 ON THE ROAD VELVET UNDERGROUND PHOTOGRAPHS","description":"\u003cp data-start=\"257\" data-end=\"477\"\u003e\u003cstrong data-start=\"257\" data-end=\"274\"\u003ePublished by:\u003c\/strong\u003e Fierce Pup Productions, New Jersey, 1996\u003cbr data-start=\"315\" data-end=\"318\"\u003e\u003cstrong data-start=\"318\" data-end=\"341\"\u003eSoftcover, 52 pages\u003c\/strong\u003e\u003cbr data-start=\"341\" data-end=\"344\"\u003e\u003cstrong data-start=\"344\" data-end=\"360\"\u003e20 × 22.8 cm\u003c\/strong\u003e\u003cbr data-start=\"360\" data-end=\"363\"\u003e\u003cstrong data-start=\"363\" data-end=\"376\"\u003eLanguage:\u003c\/strong\u003e English\u003cbr data-start=\"384\" data-end=\"387\"\u003e\u003cstrong data-start=\"387\" data-end=\"401\"\u003eCondition:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eGood. The cover shows handling marks and small surface imperfections, but the interior remains clean and well-preserved.\u003c\/p\u003e\n\u003cp data-start=\"479\" data-end=\"889\"\u003ePhotographed by \u003cstrong data-start=\"495\" data-end=\"508\"\u003eDoug Yule\u003c\/strong\u003e, \u003cem data-start=\"510\" data-end=\"527\"\u003e’69 On the Road\u003c\/em\u003e offers a rare visual account of the Velvet Underground during one of their most formative touring years. Rather than focusing on staged portraits, Yule turns his camera toward the fleeting, unguarded moments that defined the band’s life between performances quiet pauses, backstage rituals, and the subtle tensions and intimacies that accompany constant travel.\u003c\/p\u003e\n\u003cp data-start=\"891\" data-end=\"1189\"\u003eAcross its 52 pages, the book assembles a concise yet evocative sequence of black-and-white photographs that reflect the texture of late-1960s counterculture. The images reveal the band not as mythic icons, but as a tightly knit unit navigating the rhythms, exhaustion, and electricity of the road.\u003c\/p\u003e\n\u003cp data-start=\"1191\" data-end=\"1522\"\u003eOriginally released in 1996 by the independent publisher Fierce Pup Productions, this edition has become increasingly scarce. Its excellent condition preserves the clarity and immediacy of Yule’s documentation an essential artifact for admirers of the Velvet Underground and for anyone drawn to the visual history of American rock.\u003c\/p\u003e","brand":"doug yule","offers":[{"title":"Default Title","offer_id":51002828751136,"sku":"LI-DY-0000001","price":160.0,"currency_code":"MXN","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0878\/0202\/0128\/files\/doug-yule-69-on-the-road-velvet-underground-cover-intermission.jpg?v=1764735616"},{"product_id":"peter-moore-photographs","title":"PETER MOORE PHOTOGRAPHS","description":"\u003cp data-start=\"193\" data-end=\"321\"\u003e\u003cstrong data-start=\"193\" data-end=\"210\"\u003ePublished by:\u003c\/strong\u003e Gallery 360°, 1989, First Edition\u003cbr data-start=\"244\" data-end=\"247\"\u003e\u003cstrong data-start=\"247\" data-end=\"270\"\u003eSoftcover, 44 pages\u003c\/strong\u003e\u003cbr data-start=\"270\" data-end=\"273\"\u003e\u003cstrong data-start=\"273\" data-end=\"286\"\u003eLanguage:\u003c\/strong\u003e English\u003cbr data-start=\"294\" data-end=\"297\"\u003e\u003cstrong data-start=\"297\" data-end=\"311\"\u003eCondition:\u003c\/strong\u003e Good. \u003cmeta charset=\"utf-8\"\u003eShows light signs of age and minor handling wear, but overall well-preserved and in solid condition.\u003c\/p\u003e\n\u003cp data-start=\"323\" data-end=\"766\"\u003eThis first edition catalogue presents a concise yet powerful selection of photographs by Peter Moore, one of the most pivotal figures in documenting New York’s experimental art scene. Known for his sharp eye and unobtrusive presence, Moore captured the evolution of performance, happenings, and avant-garde interventions from the early 1960s onward, creating a visual record that remains essential to understanding postwar artistic innovation.\u003c\/p\u003e\n\u003cp data-start=\"768\" data-end=\"1215\"\u003eWithin these pages are images that trace the spirit of a transformative era—artists pushing boundaries, redefining form, and reshaping the relationship between audience, body, and space. Moore’s photographs offer rare access to the immediacy of these events, portraying figures such as Yoko Ono, Nam June Paik, Joseph Beuys, and other central voices of the Fluxus movement, alongside glimpses of Warhol-era New York and other key cultural moments.\u003c\/p\u003e\n\u003cp data-start=\"1217\" data-end=\"1613\"\u003eRather than mere documentation, the works in \u003cem data-start=\"1262\" data-end=\"1287\"\u003ePeter Moore Photographs\u003c\/em\u003e stand as independent artistic statements: precise, energetic, and deeply attuned to the atmosphere of experimentation. This 1989 publication remains a vital artifact for collectors and researchers interested in the intersection of\u003c\/p\u003e","brand":"peter moore","offers":[{"title":"Default Title","offer_id":51002892976416,"sku":"LI-PM-0000001","price":173.0,"currency_code":"MXN","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0878\/0202\/0128\/files\/peter-moore-photographs-front-cover-intermission.png?v=1764736457"},{"product_id":"the-clash-before-and-after-pennie-smith-1980","title":"THE CLASH BEFORE AND AFTER PHOTOGRAPHS","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-start=\"367\" data-end=\"384\"\u003ePublished by:\u003c\/strong\u003e Eel Pie Publishing Ltd, 1980\u003cbr data-start=\"465\" data-end=\"468\"\u003e\u003cstrong data-start=\"468\" data-end=\"492\"\u003eSoftcover, 160 pages\u003c\/strong\u003e\u003cbr data-start=\"492\" data-end=\"495\"\u003e\u003cstrong data-start=\"495\" data-end=\"513\"\u003e22.2 × 28.5 cm\u003c\/strong\u003e\u003cbr data-start=\"513\" data-end=\"516\"\u003e\u003cstrong data-start=\"516\" data-end=\"529\"\u003eLanguage:\u003c\/strong\u003e English\u003cbr data-start=\"537\" data-end=\"540\"\u003e\u003cstrong data-start=\"540\" data-end=\"554\"\u003eCondition:\u003c\/strong\u003e Very Good light signs of handling consistent with age, but overall clean and well-preserved.\u003c\/p\u003e\n\u003cp data-start=\"656\" data-end=\"1087\"\u003ePennie Smith’s \u003cem data-start=\"671\" data-end=\"700\"\u003eThe Clash: Before and After\u003c\/em\u003e remains one of the defining visual documents of the band’s early legacy, offering a raw, unfiltered look into their world at the edge of punk’s explosive rise. Shot with Smith’s signature grit and immediacy, the photographs move between ferocious live moments and quiet in-between intervals, showing the band caught in the tension between chaos, humor, exhaustion, and total conviction.\u003c\/p\u003e\n\u003cp data-start=\"1089\" data-end=\"1567\"\u003eAcross 160 pages, Smith follows The Clash through rehearsals, travel days, backstage corridors, and the charged atmosphere of shows capturing not only their 1979 U.S. tour but the emotional weather of a group reshaping the boundaries of rock music. Her images reveal a band in evolution: restless, thoughtful, magnetically intense. The accompanying remarks and captions from the members add a layer of intimacy and perspective, grounding the photographs in the band’s own voice.\u003c\/p\u003e\n\u003cp data-start=\"1569\" data-end=\"1862\"\u003eA cornerstone photobook for collectors of punk ephemera, documentary photography, and Clash devotees, \u003cem data-start=\"1671\" data-end=\"1689\"\u003eBefore and After\u003c\/em\u003e stands as both an artistic work and historical artifact preserving the immediacy of a moment when The Clash were rewriting the rules of sound, style, and political urgency.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"pennie smith","offers":[{"title":"Default Title","offer_id":51007816204576,"sku":"LI-PSM-0000001","price":4500.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0878\/0202\/0128\/files\/the-clash-before-and-after-front-cover-intermission.jpg?v=1764905131"},{"product_id":"tad-wakamatsu-ipy-girl-ipy-1970","title":"IPY GIRL IPY","description":"\u003cp data-start=\"260\" data-end=\"660\"\u003e\u003cstrong data-start=\"260\" data-end=\"277\"\u003ePublished by:\u003c\/strong\u003e Heibonsha, Tokyo, 1970 (First Edition)\u003cbr data-start=\"354\" data-end=\"357\"\u003e\u003cstrong data-start=\"357\" data-end=\"381\"\u003eSoftcover, 140 pages\u003c\/strong\u003e\u003cbr data-start=\"419\" data-end=\"422\"\u003e\u003cstrong data-start=\"422\" data-end=\"440\"\u003e22.0 × 28.5 cm\u003c\/strong\u003e \u003cbr data-start=\"529\" data-end=\"532\"\u003e\u003cstrong data-start=\"532\" data-end=\"545\"\u003eLanguage:\u003c\/strong\u003e Japanese\u003cbr data-start=\"554\" data-end=\"557\"\u003e\u003cstrong data-start=\"557\" data-end=\"571\"\u003eCondition:\u003c\/strong\u003e Very Good. minor cover wear and slight toning of inner pages, overall clean and intact.\u003c\/p\u003e\n\u003cp data-start=\"260\" data-end=\"660\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem data-start=\"715\" data-end=\"729\"\u003eIpy Girl Ipy\u003c\/em\u003e is one of Tad Wakamatsu’s landmark photobooks, capturing a surreal, free-spirited journey across America and beyond, centered on actress and model Haruko Wanibuchi. Documenting encounters with bikers, hippies, New York street life, and more intimate, studio-based nudes (some printed on translucent paper), the book unfolds as a fragmented diary of transience, desire, and outsider reality.\u003c\/p\u003e\n\u003cp data-start=\"1160\" data-end=\"1625\"\u003eAcross its pages Wakamatsu moves from public spaces to private gestures from road trip subcultures to introspective nude portraiture blending documentary urgency with a dreamlike, almost cinematic ambiguity. The result is a bold, immersive portrait of a time and a state of mind, where identity, space, and desire slip and merge across continents and subcultures. A rare and essential work for collectors of Japanese photography and 1970s underground culture.\u003c\/p\u003e","brand":"tad wakamatsu","offers":[{"title":"Default Title","offer_id":51007874728224,"sku":"LI-TW-0000001","price":140.0,"currency_code":"MXN","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0878\/0202\/0128\/files\/tad-wakamatsu-ipy-girl-ipy-front-cover-intermission.jpg?v=1764905725"},{"product_id":"brian-eno-rock-magazine-new-york-2002-first-edition","title":"BRIAN ENO ROCK MAGAZINE (NEW YORK ISSUE)","description":"\u003cp data-start=\"0\" data-end=\"252\"\u003eA richly layered and highly collectible publication, this New York–focused issue of \u003cem data-start=\"84\" data-end=\"99\"\u003eRock Magazine\u003c\/em\u003e centers on the expansive creative universe of \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eBrian Eno\u003c\/span\u003e\u003c\/span\u003e—tracing his work across sound, performance, and conceptual practice.\u003c\/p\u003e\n\u003cp data-start=\"254\" data-end=\"655\"\u003eEdited by \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eYuzuru Agi\u003c\/span\u003e\u003c\/span\u003e and published in 2002, the issue brings together a dense constellation of visual and textual material spanning Eno’s activity from the late 1970s into the early 2000s. Across its 106 pages, the magazine assembles rare portraits, archival imagery, sketches, studio notes, and process-based ephemera that illuminate the evolution of his artistic thinking.\u003c\/p\u003e\n\u003cp data-start=\"657\" data-end=\"1148\"\u003eThe publication is further enriched by contributions and appearances from a wide network of experimental and avant-garde figures, including \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eKlaus Nomi\u003c\/span\u003e\u003c\/span\u003e, \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eRobert Ashley\u003c\/span\u003e\u003c\/span\u003e, \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eGordon Mumma\u003c\/span\u003e\u003c\/span\u003e, \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eJohn Cale\u003c\/span\u003e\u003c\/span\u003e, as well as groups such as \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eTalking Heads\u003c\/span\u003e\u003c\/span\u003e and \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eThe Cramps\u003c\/span\u003e\u003c\/span\u003e—forming a broad and dynamic portrait of the experimental landscape in which Eno operated.\u003c\/p\u003e\n\u003cp data-start=\"1150\" data-end=\"1504\"\u003eA distinctive feature of this first edition is the inclusion of the original flexi-vinyl insert, \u003cem data-start=\"1247\" data-end=\"1271\"\u003eThe Voice of Brian Eno\u003c\/em\u003e (33⅓ RPM), recorded in New York in 1979. This rare audio document captures Eno’s voice with characteristic clarity and abstraction, offering direct insight into his ideas on sound, process, and composition during a formative period.\u003c\/p\u003e\n\u003cp data-start=\"1506\" data-end=\"1800\"\u003eAgi’s editorial sensibility mirrors Eno’s own—layered, atmospheric, and exploratory—resulting in a publication that functions simultaneously as magazine, archive, and art object. A significant and sought-after piece for collectors of experimental music, visual culture, and artist-driven print.\u003c\/p\u003e\n\u003cp data-start=\"1802\" data-end=\"2125\"\u003e\u003cstrong data-start=\"1802\" data-end=\"1816\"\u003ePublisher:\u003c\/strong\u003e Yuzuru Agi\u003cbr data-start=\"1827\" data-end=\"1830\"\u003e\u003cstrong data-start=\"1830\" data-end=\"1839\"\u003eYear:\u003c\/strong\u003e 2002 (First Edition)\u003cbr data-start=\"1860\" data-end=\"1863\"\u003e\u003cstrong data-start=\"1863\" data-end=\"1876\"\u003eLanguage:\u003c\/strong\u003e English \/ Japanese\u003cbr data-start=\"1895\" data-end=\"1898\"\u003e\u003cstrong data-start=\"1898\" data-end=\"1909\"\u003eFormat:\u003c\/strong\u003e Softcover\u003cbr data-start=\"1919\" data-end=\"1922\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"1922\" data-end=\"1937\"\u003eDimensions:\u003c\/strong\u003e 29.7 × 23 cm\u003cbr data-start=\"1950\" data-end=\"1953\"\u003e\u003cstrong data-start=\"1953\" data-end=\"1963\"\u003ePages:\u003c\/strong\u003e 106 pages\u003cbr data-start=\"1973\" data-end=\"1976\"\u003e\u003cstrong data-start=\"1976\" data-end=\"1990\"\u003eCondition:\u003c\/strong\u003e Very good condition. Light surface wear to cover; interior clean and tight. Flexi-vinyl insert preserved and in excellent condition.\u003c\/p\u003e","brand":"yuzuru agi","offers":[{"title":"Default Title","offer_id":51007986303264,"sku":"LI-BE-0000001","price":100.0,"currency_code":"MXN","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0878\/0202\/0128\/files\/brian-eno-rock-magazine-2002-front-intermission.png?v=1764906906"},{"product_id":"the-velvet-underground-volume-3-1994-fierce-pup-productions","title":"THE VELVET UNDERGROUND VOLUME 3 FALL\/WINTER 1994","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-start=\"112\" data-end=\"129\"\u003ePublished by:\u003c\/strong\u003e Fierce Pup Productions, New York, 1994\u003cbr data-start=\"168\" data-end=\"171\"\u003e\u003cstrong data-start=\"171\" data-end=\"185\"\u003eSoftcover,\u003c\/strong\u003e 52 pages\u003cbr data-start=\"194\" data-end=\"197\"\u003e\u003cstrong data-start=\"197\" data-end=\"213\"\u003e21.5 × 28 cm\u003c\/strong\u003e\u003cbr data-start=\"213\" data-end=\"216\"\u003e\u003cstrong data-start=\"216\" data-end=\"229\"\u003eLanguage:\u003c\/strong\u003e English\u003cbr data-start=\"237\" data-end=\"240\"\u003e\u003cstrong data-start=\"240\" data-end=\"254\"\u003eCondition:\u003c\/strong\u003e Very Good. Light handling wear; fully clean, tight, and complete. Includes original ephemera.\u003c\/p\u003e\n\u003cp\u003eThe Volume 3 \u003cmeta charset=\"utf-8\"\u003eis a scarce and highly collectible issue devoted to the enduring legacy of the Velvet Underground. Published in 1994 by Fierce Pup Productions, this volume offers an exceptional mix of archival material, rare imagery, and exclusive reportage centered on the band’s most mythologized years.\u003c\/p\u003e\n\u003cp data-start=\"701\" data-end=\"1315\"\u003eThis issue includes:\u003cbr data-start=\"721\" data-end=\"724\"\u003e• \u003cstrong data-start=\"726\" data-end=\"749\"\u003eTwo original flyers\u003c\/strong\u003e produced for the release\u003cbr data-start=\"774\" data-end=\"777\"\u003e• \u003cstrong data-start=\"779\" data-end=\"809\"\u003eAn original banana sticker\u003c\/strong\u003e, referencing Warhol’s iconic 1967 design\u003cbr data-start=\"850\" data-end=\"853\"\u003e• \u003cstrong data-start=\"855\" data-end=\"867\"\u003eVelvet Undergound NEWS:\u003c\/strong\u003e updates and features on \u003cstrong data-start=\"892\" data-end=\"954\"\u003eJohn Cale, Maureen Tucker, Sterling Morrison, and Lou Reed\u003c\/strong\u003e\u003cbr data-start=\"954\" data-end=\"957\"\u003e• \u003cstrong data-start=\"959\" data-end=\"997\"\u003eNever-before-published photographs\u003c\/strong\u003e from the band’s early era\u003cbr data-start=\"1023\" data-end=\"1026\"\u003e• \u003cstrong data-start=\"1028\" data-end=\"1060\"\u003eExclusive Doug Yule Feature:\u003c\/strong\u003e A major, in-depth interview in which Yule often regarded as the most elusive and least documented member of the Velvets speaks openly about his years with the band, offering rare insight into its internal dynamics, creative process, and turbulent history\u003c\/p\u003e\n\u003cp data-start=\"1317\" data-end=\"1470\"\u003eA standout publication for Velvet Underground collectors, historians, and anyone tracing the evolution of American art rock and its cultural aftershocks.\u003c\/p\u003e","brand":"doug yule","offers":[{"title":"Default Title","offer_id":51008049905952,"sku":"LI-VU-0000001","price":60.0,"currency_code":"MXN","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0878\/0202\/0128\/files\/velvet-underground-v3-1994-cover-intermission.png?v=1764908570"},{"product_id":"visage-vol-2-the-chelsea-era-1988","title":"VISAGE VOL. 2 — “THE CHELSEA ERA” (1988)","description":"\u003cp data-end=\"563\" data-start=\"333\"\u003e\u003cstrong data-end=\"350\" data-start=\"333\"\u003ePublished by:\u003c\/strong\u003e Men’s Bigi, 1988\u003cbr data-end=\"370\" data-start=\"367\"\u003eSoftcover, 72 pages\u003cbr data-end=\"392\" data-start=\"389\"\u003e32.7 × 24.4 cm\u003cbr data-end=\"409\" data-start=\"406\"\u003e\u003cstrong\u003eLanguage:\u003c\/strong\u003e Japanese\u003cbr data-end=\"430\" data-start=\"427\"\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery\u003cstrong\u003e \u003c\/strong\u003eGood. \u003c\/p\u003e\n\u003cp data-start=\"626\" data-end=\"887\"\u003eA striking and atmospheric 1988 issue from \u003cem data-start=\"669\" data-end=\"697\"\u003eVisage Men’s Bigi Magazine\u003c\/em\u003e, devoted entirely to \u003cstrong data-start=\"719\" data-end=\"740\"\u003e“The Chelsea Era” \u003c\/strong\u003ea mythic portrait of New York's Chelsea Hotel and the constellation of artists, writers, musicians, and drifters who made it a cultural epicenter.\u003c\/p\u003e\n\u003cp data-start=\"889\" data-end=\"1377\"\u003eThis issue brings together an unexpected blend of reportage, photography, and literary fragments, beginning with \u003cem data-start=\"1002\" data-end=\"1017\"\u003ePete Hamill’s\u003c\/em\u003e evocative essay on the light and shadow of New York, accompanied by the unmistakable lens of \u003cstrong data-start=\"1111\" data-end=\"1129\"\u003eElliott Erwitt\u003c\/strong\u003e, whose images capture the Chelsea Hotel with both irony and melancholy.\u003cbr data-start=\"1201\" data-end=\"1204\"\u003eInside, the magazine drifts through the hotel’s labyrinthine history:\u003cbr data-start=\"1273\" data-end=\"1276\"\u003e\u003cbr\u003eits legendary inhabitants,\u003cbr data-start=\"1304\" data-end=\"1307\"\u003eits improvised communities,\u003cbr data-start=\"1336\" data-end=\"1339\"\u003eits collisions of genius and ruin.\u003cbr\u003e\u003cbr\u003eProfiles include figures such as \u003cstrong data-start=\"1412\" data-end=\"1432\"\u003eArthur C. Clarke\u003c\/strong\u003e, \u003cstrong data-start=\"1434\" data-end=\"1458\"\u003eWilliam S. Burroughs\u003c\/strong\u003e, \u003cstrong data-start=\"1460\" data-end=\"1479\"\u003eClifford Irving\u003c\/strong\u003e, and \u003cstrong data-start=\"1485\" data-end=\"1505\"\u003eRichard Lingeman\u003c\/strong\u003e, interwoven with poetic reflections on Sam Shepard, Patti Smith, and the fragile romances that haunt the corridors of the hotel.\u003c\/p\u003e\n\u003cp data-start=\"1636\" data-end=\"1969\"\u003eA particularly notable section is the visual and conceptual study on \u003cstrong data-start=\"1705\" data-end=\"1728\"\u003eRobert Mapplethorpe\u003c\/strong\u003e, exploring his sensibility through the lens of “various designs” a rare Japanese interpretation of his artistic rigor. The issue concludes with Keita Konishi’s wandering text, a dérive through Manhattan guided only by instinct and footfall.\u003c\/p\u003e\n\u003cp data-start=\"1971\" data-end=\"2342\"\u003ePrinted in 1988, this magazine is both a cultural time capsule and a beautifully assembled homage to the Chelsea Hotel’s mythos blending journalism, photography, and urban mythology in a way only Japanese editorial culture could achieve. A scarce and atmospheric artifact for collectors of New York ephemera, photography, subculture histories, and Japanese print culture.\u003c\/p\u003e","brand":"patti smith","offers":[{"title":"Default Title","offer_id":51014493602080,"sku":"LI-PS-0000003","price":68.0,"currency_code":"MXN","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0878\/0202\/0128\/files\/visage-vol-2-front-cover-magazine-interior-1-intermission.png?v=1765091925"},{"product_id":"madonna-sex-first-edition-1992","title":"MADONNA - SEX","description":"\u003cdiv class=\"relative basis-auto flex-col -mb-(--composer-overlap-px) pb-(--composer-overlap-px) [--composer-overlap-px:28px] grow flex\"\u003e\n\u003cdiv class=\"flex flex-col text-sm\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto [content-visibility:auto] supports-[content-visibility:auto]:[contain-intrinsic-size:auto_100lvh] R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:f4acf4bb-e558-4ab2-ae4c-580c640b5747-2\" data-testid=\"conversation-turn-4\" data-scroll-anchor=\"false\" data-turn=\"assistant\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"ae28b820-c4c8-4032-b7e4-5311e6b833b7\" dir=\"auto\" data-message-model-slug=\"gpt-5-3\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-turn-start-message=\"true\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Madonna\u003cbr\u003e\u003cstrong\u003ePhotographer:\u003c\/strong\u003e Steven Meisel\u003cbr\u003e\u003cstrong\u003eCreative Direction:\u003c\/strong\u003e Fabien Baron\u003cbr\u003e\u003cstrong\u003eText:\u003c\/strong\u003e Glenn O’Brien\u003cbr\u003e\u003cstrong\u003ePublisher:\u003c\/strong\u003e Martin Secker \u0026amp; Warburg, London\u003cbr\u003e\u003cstrong\u003eYear:\u003c\/strong\u003e 1992\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e First Edition\u003cbr\u003e\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Spiral-bound artist book with stamped aluminium boards\u003cbr\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 35 × 28 cm\u003cbr\u003e\u003cstrong\u003ePages:\u003c\/strong\u003e 124\u003cbr\u003e\u003cstrong\u003eSubject:\u003c\/strong\u003e Photography, Performance, Sexuality, Fashion, Popular Culture\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Very Good. Light wear consistent with age; interior clean and well preserved.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSex\u003c\/em\u003e by \u003cstrong\u003eMadonna\u003c\/strong\u003e is one of the most provocative and culturally significant artist books of the 1990s. Published in 1992, the publication extends Madonna's artistic practice beyond music and performance into the realm of photography, fashion, publishing, and the artist book, presenting an intentionally confrontational exploration of \u003cstrong\u003esexuality, fantasy, identity, desire, and power\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003ePhotographed primarily by \u003cstrong\u003eSteven Meisel\u003c\/strong\u003e, the book features Madonna alongside a cast of models, performers, and collaborators in a series of carefully staged scenarios. The images move between polished fashion photography, erotic imagery, performance, and constructed narrative, deliberately destabilizing the boundaries between commercial image-making and contemporary visual culture.\u003c\/p\u003e\n\u003cp\u003eThe project was developed in collaboration with \u003cstrong\u003eFabien Baron\u003c\/strong\u003e, whose art direction played an essential role in shaping its distinctive visual language, and writer \u003cstrong\u003eGlenn O'Brien\u003c\/strong\u003e, whose contributions further connect the publication to the worlds of fashion, nightlife, and downtown New York culture. Together, the collaborators created a publication that operates simultaneously as photographic series, performance document, celebrity statement, and conceptual object.\u003c\/p\u003e\n\u003cp\u003eMeisel's photographs emphasize theatricality and controlled artifice, combining the visual vocabulary of fashion editorial with more transgressive forms of staged photography. 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Its stated dedication to “the average American searching for excitement” captures the deliberately confrontational attitude of the publication and Vega’s own visual world.\u003c\/p\u003e\n\u003cp\u003ePrinted on extremely thin, newsprint-weight paper, the issue was produced at the intersection of the downtown art world and the emerging CBGB-era music scene. Its physical fragility, limited circulation, and highly specific authorship make surviving copies particularly difficult to find in exceptional condition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNo. 13 is an especially rare issue of \u003cem\u003eArt-Rite\u003c\/em\u003e\u003c\/strong\u003e because it is not simply an issue featuring Alan Vega—it is an entire publication shaped around Vega’s own visual universe at a crucial moment in New York’s cultural history. Published in January 1977, just as Suicide was becoming increasingly influential within the downtown scene, it documents the point where the SoHo art world, punk, experimental music, and the underground press were still operating within the same small network.\u003c\/p\u003e\n\u003cp\u003eSupported by the New York State Council on the Arts and the National Endowment for the Arts, the issue stands as a primary document of the period when New York’s art and music underground began to collapse into one another. This copy is particularly desirable for its \u003cstrong\u003eexceptionally clean condition\u003c\/strong\u003e, with no visible imperfections despite the inherently fragile paper stock.\u003c\/p\u003e","brand":"art-rite","offers":[{"title":"Default Title","offer_id":67646215880992,"sku":null,"price":4500.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0878\/0202\/0128\/files\/art-rite-13-alan-suicide-alan-vega-1977-cover-intermission.jpg?v=1791251110"},{"product_id":"sniffin-glue-11-july-1977","title":"SNIFFIN' GLUE — NO. 11 (JULY 1977)","description":"\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003e\u003cspan\u003ePublisher:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Sniffin' Glue, London\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eYear:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e July 1977\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eEditor:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Mark Perry\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eIssue:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e No. 11\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eDimensions:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e 21 × 30 cm\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eLanguage:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e English\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eFormat:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Staple-bound fanzine\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003ePages:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e \u003cspan data-placeholder-token=\"true\" class=\"text-token-text-primary cursor-text rounded-sm\"\u003eUnpaged\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eCondition:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Good — restored and re-stapled with new staples. The pages and cover are original to the issue.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cem\u003e\u003cspan\u003eSniffin' Glue\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e was the fanzine that taught British punk to write about itself. Founded by Mark Perry in London in 1976, it began as a homemade publication produced with a typewriter and felt-tip pen before becoming one of the defining documents of the first wave of British punk. Issue No. 11, published in July 1977 and priced at 30p, captures the magazine at a moment when the scene was rapidly expanding beyond its earliest circles.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe cover features early photographs of John Lydon, The Clash performing live, and The Damned in hoods. Inside are a feature on The Damned, a piece on Jonathan Richman and the Modern Lovers, Sandy Robertson's reflections on punk and the music industry, reviews and writing by Danny Baker, collage pages, and the recurring “Rock n' Roll Gloo” cartoon.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe advertising throughout the issue forms an archive of its own. Full-page announcements promote Throbbing Gristle, the New York Dolls, Lou Reed, the Patti Smith Group, The Radiators, Johnny Moped, Chelsea, The Cortinas, The Models, The Electric Chairs, and Deptford Fun City Records, documenting a network of artists, labels, and venues while many of these acts were still at the beginning of their careers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIssue No. 11 is particularly revealing because Mark Perry later described it as a moment when \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eSniffin' Glue\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e was beginning to lose its original direction. In his retrospective account, Perry wrote that much of the issue had been opened to contributions from others, while his own creative focus had increasingly shifted toward Step Forward Records and Alternative TV. The result is a publication that feels less like a single-author manifesto and more like a collective snapshot of the punk underground in motion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAmong its strongest contributions is a Throbbing Gristle collage by Genesis P-Orridge, functioning simultaneously as an advertisement for the group's first album, alongside a poetic contribution from Sandy Robertson and a collage by Jon Savage. Mick Jones contributes a “Communiqué From Clash City,” documenting the increasingly chaotic world surrounding The Clash and their early public appearances.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003ePrinted cheaply and distributed within the rapidly developing British punk network, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eSniffin' Glue\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e remains one of the essential primary documents of the movement. Its physical fragility, inexpensive production, and short-lived nature make surviving original copies increasingly difficult to find, particularly in clean, complete condition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis copy has been restored with new staples. The cover and pages are original to the July 1977 issue.\u003c\/span\u003e\u003c\/p\u003e","brand":"sniffin' glue","offers":[{"title":"Default Title","offer_id":67646254645536,"sku":null,"price":6000.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0878\/0202\/0128\/files\/sniffin-glue-11-july-1977-cover-intermission.jpg?v=1791253913"},{"product_id":"re-search-no-1-1980-1988-searchlight-reprint","title":"RE\/SEARCH — NO. 1 (1980), 1988 SEARCHLIGHT REPRINT","description":"\u003cp\u003e\u003cstrong\u003eOriginally Published by:\u003c\/strong\u003e RE\/Search, San Francisco, 1980\u003cbr\u003e\u003cstrong\u003eThis Edition:\u003c\/strong\u003e Reprinted by Searchlight Publishing, 1988\u003cbr\u003e\u003cstrong\u003eEditor:\u003c\/strong\u003e V. Vale\u003cbr\u003e\u003cstrong\u003eCover Photographs:\u003c\/strong\u003e Ruby Ray\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Tabloid on newsprint\u003cbr\u003e\u003cstrong\u003ePages:\u003c\/strong\u003e 36\u003cbr\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 29.2 × 22.9 cm folded (11.5 × 9 in); 45.8 × 29.2 cm open (18 × 11.5 in)\u003cbr\u003e\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Good — showing age-related wear throughout the format, consistent with its age and original newsprint construction. The cover and interior pages display visible signs of handling and natural deterioration over time.\u003c\/p\u003e\n\u003cp\u003eThe first issue of \u003cem\u003eRE\/Search\u003c\/em\u003e emerged from the underground publishing network V. Vale had developed through \u003cem\u003eSearch \u0026amp; Destroy\u003c\/em\u003e, the influential San Francisco punk newspaper he founded in 1977. Published in 1980, the inaugural issue established the territory that would define \u003cem\u003eRE\/Search\u003c\/em\u003e for decades to come: industrial music, punk, experimental literature, transgressive culture, outsider practices, conspiracy, and the intellectual margins of contemporary society.\u003c\/p\u003e\n\u003cp\u003eRather than functioning simply as a music magazine, \u003cem\u003eRE\/Search\u003c\/em\u003e positioned itself as an open-ended investigation into the cultural underground. The first issue moves freely between music, literature, politics, science fiction, noise, Situationism, sexuality, and paranoia, creating the collision of subjects that would become one of the publication's defining characteristics.\u003c\/p\u003e\n\u003cp\u003eThe contents include Throbbing Gristle, Cabaret Voltaire, The Slits, Non, Factrix, Young Marble Giants, Sun Ra, and Japan, alongside writers such as J.G. Ballard, Julio Cortázar, and Octavio Paz. Additional material examines Situationism, nuclear disaster, punk prostitutes, \u003cem\u003eSoldier of Fortune\u003c\/em\u003e, rhythm and noise, and various forms of conspiracy. Contributors and collaborators include photographer Ruby Ray, artist Paul Mavrides, and Nico Ordway.\u003c\/p\u003e\n\u003cp\u003eThe issue is also significant for the visual language established by Ruby Ray, whose photography became closely associated with the San Francisco punk and industrial underground. Printed cheaply on newsprint and presented in tabloid format, the publication deliberately retained the physical immediacy of an underground newspaper rather than adopting the conventions of a conventional music or art journal.\u003c\/p\u003e\n\u003cp\u003eThis 1988 edition was reprinted by Searchlight Publishing and reproduces the original 1980 issue. It belongs to the period immediately preceding the series of \u003cem\u003eRE\/Search\u003c\/em\u003e books that would establish V. Vale's publishing project as an international reference for underground and countercultural research, including \u003cem\u003eIndustrial Culture Handbook\u003c\/em\u003e and \u003cem\u003eModern Primitives\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eThe reprint is particularly useful as a surviving edition of the original tabloid format: inexpensive, fragile, and visually direct, preserving the publication before \u003cem\u003eRE\/Search\u003c\/em\u003e evolved primarily into the book and monographic format for which it later became known.\u003c\/p\u003e\n\u003cp\u003eThis copy is the 1988 Searchlight Publishing reprint, as identified on the back cover, and is not the original 1980 first printing.\u003c\/p\u003e","brand":"RE\/Search","offers":[{"title":"Default Title","offer_id":67647019680032,"sku":null,"price":2500.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0878\/0202\/0128\/files\/research-1-v-vale-1988-reprint-cover-intermission.jpg?v=1791258227"},{"product_id":"dangerous-rhythms-fanzine-6-winter-1985","title":"DANGEROUS RHYTHMS — NO. 6, WINTER 1985–86 (PUNK FANZINE)","description":"\u003cp\u003e\u003cstrong\u003eIssue:\u003c\/strong\u003e Dangerous Rhythms No. 6, Winter 1985–86 — “Big Thumbs Down Issue”\u003cbr\u003e\u003cstrong\u003ePublished by:\u003c\/strong\u003e Lorn, Inc., Piscataway, New Jersey\u003cbr\u003e\u003cstrong\u003eYear:\u003c\/strong\u003e 1985\u003cbr\u003e\u003cstrong\u003eEditor and Publisher:\u003c\/strong\u003e Gene Temesy\u003cbr\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 29.7 × 21 cm\u003cbr\u003e\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Softcover fanzine, 19 numbered pages, bound with three original staples\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Fine — exceptionally well preserved, with no visible imperfections or signs of wear. The three original staples remain intact, and the copy is in excellent condition.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDangerous Rhythms\u003c\/em\u003e was a punk and underground music fanzine from Piscataway, New Jersey, edited and published by Gene Temesy, who credits himself on the masthead with “Editor, Publisher, Layouts, Blame.” Issue No. 6, the “Big Thumbs Down Issue” from Winter 1985–86, appeared nine months after the previous issue, with Temesy opening the signed editorial by joking about the long delay.\u003c\/p\u003e\n\u003cp\u003eThe cover announces Das Yahoos, Mick Cancer, and “Free Cancer Treatment,” while the editorial immediately undercuts the promise by admitting that the supposedly “free” cover costs $0.99. The entire publication carries this deliberately irreverent tone, with a masthead featuring a “Complaint Division,” a “Vice President, Publicity” credited to Bryan Bruden, “Recommendation Consultants,” and contributors including Howard Wuelfling.\u003c\/p\u003e\n\u003cp\u003eTemesy's editorial also promises that advertising has been “kept to a pleasing minimum,” accompanied by the characteristically sarcastic observation that there are people who “aren't in it for the money.” The result is a compact document of the DIY publishing culture surrounding the American punk and underground music scenes of the mid-1980s.\u003c\/p\u003e\n\u003cp\u003eA complete and exceptionally well-preserved copy, retaining its original three-staple binding.\u003c\/p\u003e","brand":"dangerous rhythms","offers":[{"title":"Default Title","offer_id":67647338971424,"sku":null,"price":2500.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0878\/0202\/0128\/files\/dangerous-rhythms-fanzine-6-winter-1985-cover-intermission.jpg?v=1791259800"},{"product_id":"honey-that-aint-no-romance-iggy-pop-fanzine-1-1976","title":"HONEY, THAT AIN’T NO ROMANCE — NO. 1 (JANUARY 1976), IGGY POP FAN CLUB FANZINE, FIRST ISSUE","description":"\u003cp\u003e\u003cstrong\u003ePublished by:\u003c\/strong\u003e Europe's Only Iggy Pop Fan Club, Hagenring 21, Braunschweig, West Germany\u003cbr\u003e\u003cstrong\u003eYear:\u003c\/strong\u003e January 1976\u003cbr\u003e\u003cstrong\u003eEditor:\u003c\/strong\u003e Harald Inhülsen\u003cbr\u003e\u003cstrong\u003eIssue:\u003c\/strong\u003e No. 1 — First of three issues\u003cbr\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 30.7 × 21 cm\u003cbr\u003e\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Staple-bound, unpaginated, typewritten and photocopied\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Good — showing visible water and liquid marks throughout the paper, consistent with the age and history of the copy. These traces of use and deterioration have become part of its physical character, giving the publication the worn, lived-in quality of an underground artifact and preserving it as a genuine relic of its period.\u003c\/p\u003e\n\u003cp\u003eThe first issue of \u003cem\u003eHoney, That Ain't No Romance\u003c\/em\u003e was published in Braunschweig, West Germany, in January 1976 by Harald Inhülsen, founder and editor of “Europe's Only Iggy Pop Fan Club.” Produced entirely outside the established music press, the publication was typed, photocopied, and circulated as a direct expression of European devotion to Iggy Pop and The Stooges. The magazine would run for only three issues, with the final number appearing in early 1977.\u003c\/p\u003e\n\u003cp\u003eInhülsen's opening editorial reads less like the introduction to a conventional fan magazine than a declaration of allegiance. Rejecting the prevailing culture of “glitter-zwitter-pipper-garten” and dismissing the idea of an intellectual editorial staff, he states: “we always are better fighters than writers.” The objective is direct: listen to \u003cem\u003eThe Stooges\u003c\/em\u003e, \u003cem\u003eFun House\u003c\/em\u003e, and \u003cem\u003eRaw Power\u003c\/em\u003e; believe that this music can change your life and dreams; and make Iggy Pop known across Europe.\u003c\/p\u003e\n\u003cp\u003eThe dedication list provides an extraordinary map of the underground network surrounding The Stooges at the time. James Williamson, Ron and Scott Asheton, The Deviants, Michel Esteban, Lester Bangs, Nick Kent, Brian Hogg, Cyril Jordan, \u003cem\u003eOZ\u003c\/em\u003e magazine, and Ton Steine Scherben are all acknowledged, placing the publication within a transatlantic and European network of musicians, writers, artists, publishers, and underground cultural figures.\u003c\/p\u003e\n\u003cp\u003eThe issue promises photographs of Iggy Pop, The Stooges, and New Order, Ron Asheton's post-Stooges band. Its timing is particularly significant: this was published in January 1976, before punk had fully broken internationally and at a moment when The Stooges' influence was still largely circulating through records, live performance, imported press, and small networks of obsessive listeners.\u003c\/p\u003e\n\u003cp\u003eIt also predates one of the most important periods in Iggy Pop's career. Only months later, Iggy would relocate to Berlin with David Bowie, beginning the collaboration that would lead to \u003cem\u003eThe Idiot\u003c\/em\u003e and \u003cem\u003eLust for Life\u003c\/em\u003e. \u003cem\u003eHoney, That Ain't No Romance\u003c\/em\u003e therefore captures Iggy Pop at a crucial threshold — after The Stooges, but before his transformation into the international figure he would become.\u003c\/p\u003e\n\u003cp\u003eAs the first of only three issues, this publication is an exceptionally early document of organized Iggy Pop fandom in Europe. Its importance lies not only in its scarcity, but in the immediacy of its production: a homemade, typewritten fan publication created while the mythology surrounding Iggy and The Stooges was still being formed. It documents the moment when a small group of European devotees were actively building an audience around an artist who had not yet entered the mainstream.\u003c\/p\u003e\n\u003cp\u003eThe physical condition further reinforces its character as an underground artifact. The water and liquid marks across the paper are visible traces of the copy's passage through time rather than later damage imposed on an otherwise pristine object. Together with its typewritten pages, photocopied construction, and fragile original binding, they preserve the material evidence of a publication that was made to circulate rather than to survive as a collectible.\u003c\/p\u003e\n\u003cp\u003eA remarkable first issue and an important primary document in the history of Iggy Pop fandom, The Stooges, and the European underground music press of the mid-1970s.\u003c\/p\u003e","brand":"europe's only iggy pop fan club","offers":[{"title":"Default Title","offer_id":67647561072928,"sku":null,"price":2500.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0878\/0202\/0128\/files\/honey-that-aint-no-romance-iggy-pop-fanzine-1-1976-cover-intermission.jpg?v=1791260896"},{"product_id":"search-and-destroy-2-1977","title":"SEARCH \u0026 DESTROY — NO. 2 (1977)","description":"\u003cp\u003e\u003cstrong\u003ePublished by:\u003c\/strong\u003e Search \u0026amp; Destroy, c\/o City Lights Bookstore, 261 Columbus, San Francisco\u003cbr\u003e\u003cstrong\u003eYear:\u003c\/strong\u003e 1977\u003cbr\u003e\u003cstrong\u003eEditor:\u003c\/strong\u003e V. Vale\u003cbr\u003e\u003cstrong\u003eIssue:\u003c\/strong\u003e No. 2 — “New Wave Cultural Research”\u003cbr\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 29 × 22 cm folded (11.5 × 8.75 in); 45 × 29 cm open (17.7 × 11.4 in)\u003cbr\u003e\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Tabloid on newsprint\u003cbr\u003e\u003cstrong\u003ePages:\u003c\/strong\u003e 28\u003cbr\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eFine — exceptionally well preserved overall. The copy shows only visible wear and minor damage consistent with its original newsprint format and the passage of time. Aside from these age- and format-related imperfections, the interior remains in excellent condition.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSearch \u0026amp; Destroy\u003c\/em\u003e was the seminal San Francisco newspaper that documented the emergence of punk and the wider underground culture surrounding it. Published by V. Vale from City Lights Bookstore in North Beach, the paper operated between journalism, cultural research, and DIY publishing, creating a direct record of a scene that was still taking shape. Vale would later transform the project into \u003cem\u003eRE\/Search\u003c\/em\u003e, one of the most influential publishing ventures devoted to underground and transgressive culture.\u003c\/p\u003e\n\u003cp\u003eIssue No. 2, published in 1977, captures the first wave of punk at a moment when the movement had not yet settled into a defined aesthetic or commercial category. Its pages move between San Francisco, New York, and London, recording artists and ideas as they circulated through an increasingly interconnected international underground.\u003c\/p\u003e\n\u003cp\u003eThe issue's “Flight Log” opens with Iggy Pop — described through the unforgettable phrase “bass voice, metallic wit, spike hair, x-ray smile” — alongside the Ramones' journey west. Elsewhere, Nickey Beat examines The Weirdos and their confrontation with the fashion industry, while the issue features a substantial Clash interview and centrefold.\u003c\/p\u003e\n\u003cp\u003eFurther contributions include The Dils, Devo's “De-Evolution Decade,” The Zeros, Vivienne Westwood in a London street report, Patti Smith, Nico Ordway on “Anarchy in the UK,” Johnny Moped, and Penelope Houston of The Avengers. Together, the articles create a fragmented but remarkably immediate portrait of the underground as it existed in 1977.\u003c\/p\u003e\n\u003cp\u003eThe masthead extends the publication's deliberately militaristic and irreverent language, listing a “Flight Crew” composed of pilots, bombardiers, radar operators, and other fictional ranks. Among them is photographer Ruby Ray, whose photographs became some of the defining visual documents of the San Francisco punk scene.\u003c\/p\u003e\n\u003cp\u003ePrinted inexpensively on newsprint and folded once as issued, \u003cem\u003eSearch \u0026amp; Destroy\u003c\/em\u003e was never intended to become an archival object. Its significance comes precisely from its immediacy: it documents musicians, writers, photographers, designers, and scenes before many of them had entered the historical canon.\u003c\/p\u003e\n\u003cp\u003eIssue No. 2 is particularly important as a record of the moment when the Bay Area, New York, and London undergrounds were beginning to recognize themselves as part of a larger cultural network. It sits at the intersection of the early punk press, independent music journalism, and the emerging international exchange of ideas that would define the movement's visual and intellectual history.\u003c\/p\u003e\n\u003cp\u003eA foundational document of American punk publishing and one of the key early issues of V. Vale's \u003cem\u003eSearch \u0026amp; Destroy\u003c\/em\u003e.\u003c\/p\u003e","brand":"search \u0026 destroy","offers":[{"title":"Default Title","offer_id":67648403636512,"sku":null,"price":2000.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0878\/0202\/0128\/files\/search-and-destroy-2-1977-cover-intermission.jpg?v=1791264050"},{"product_id":"search-destroy-no-4-1977-78","title":"SEARCH \u0026 DESTROY — NO. 4 (1977–78)","description":"\u003cp\u003e\u003cstrong\u003ePublished by:\u003c\/strong\u003e Search \u0026amp; Destroy, San Francisco\u003cbr\u003e\u003cstrong\u003eYear:\u003c\/strong\u003e 1977\u003cbr\u003e\u003cstrong\u003eEditor:\u003c\/strong\u003e V. Vale\u003cbr\u003e\u003cstrong\u003eIssue:\u003c\/strong\u003e No. 4 — “New Wave Cultural Research”\u003cbr\u003e\u003cstrong\u003eCover Photograph:\u003c\/strong\u003e Charles Gatewood\u003cbr\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 27.9 × 21.6 cm folded (11 × 8.5 in); 27.9 × 43.2 cm open (11 × 17 in)\u003cbr\u003e\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Tabloid on newsprint, folded once as issued\u003cbr\u003e\u003cstrong\u003ePages:\u003c\/strong\u003e 24\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Good — fragile newsprint showing visible signs of age and handling throughout the format. The paper has naturally become delicate over time, consistent with the original production and the passage of nearly five decades. The copy remains complete and retains its original printed material.\u003c\/p\u003e\n\u003cp\u003eIssue No. 4 of \u003cem\u003eSearch \u0026amp; Destroy\u003c\/em\u003e is one of the defining numbers of V. Vale's San Francisco punk tabloid, published in 1977 at the moment when the emerging punk movement was beginning to connect previously separate underground scenes across the United States and Europe. The publication operated from City Lights Bookstore in North Beach and combined music journalism, photography, cultural criticism, interviews, and documentation of the rapidly developing new wave underground.\u003c\/p\u003e\n\u003cp\u003eThe cover features a photograph by Charles Gatewood of \u003cstrong\u003eHelen Wheels\u003c\/strong\u003e, the New York punk singer and performer. Gatewood's image captures Wheels onstage, embraced by a fan, with the physical intensity and intimacy that became characteristic of his documentation of underground culture. The photograph would become an important early connection between Gatewood and \u003cem\u003eSearch \u0026amp; Destroy\u003c\/em\u003e: V. Vale later recalled discovering Gatewood's work through his 1975 book \u003cem\u003eSidetripping\u003c\/em\u003e, and subsequently placing one of his photographs on the cover of this issue.\u003c\/p\u003e\n\u003cp\u003eThe issue's cover lines map the increasingly international reach of the punk underground: Iggy Pop, Jordan of the London SEX shop, Patti Smith, the Dead Boys, and the French band Metal Urbain. Inside, \u003cem\u003eSearch \u0026amp; Destroy\u003c\/em\u003e moves constantly between San Francisco, New York, London, and Paris, documenting musicians, performers, writers, photographers, and cultural figures before many of them had entered the established historical record.\u003c\/p\u003e\n\u003cp\u003eAmong the issue's subjects are Death, Iggy Pop, Hunt and Tony Sales, Jordan, De Sade, Patti Smith, Lance Loud and The Mumps, the Dead Boys, Metal Urbain, Helen Wheels, The Spitfire Boys, and Sham 69. The issue also includes photographs and contributions connected to Charles Gatewood, alongside period advertising that preserves the wider network of clubs, record labels, artists, and underground businesses surrounding the scene.\u003c\/p\u003e\n\u003cp\u003eThe interview with Jordan is particularly significant. Her appearance in \u003cem\u003eSearch \u0026amp; Destroy\u003c\/em\u003e No. 4 became an early printed document of the London punk milieu surrounding SEX, Vivienne Westwood, Malcolm McLaren, and the Sex Pistols. The issue therefore functions not simply as a San Francisco publication, but as a point of exchange between the American and British undergrounds at the height of punk's first international emergence.\u003c\/p\u003e\n\u003cp\u003ePrinted cheaply on whitened newsprint and folded once as issued, the physical construction of \u003cem\u003eSearch \u0026amp; Destroy\u003c\/em\u003e was deliberately closer to an underground newspaper than a conventional magazine. Its fragile paper stock has made surviving copies particularly vulnerable to handling, folding, and deterioration, adding to the archival importance of complete original examples.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSearch \u0026amp; Destroy\u003c\/em\u003e would ultimately run from 1977 to 1979, with eleven issues documenting the development of the early punk and new wave underground. V. Vale subsequently transformed the project into \u003cem\u003eRE\/Search\u003c\/em\u003e, extending its investigation into industrial music, transgressive literature, experimental culture, and outsider practices.\u003c\/p\u003e\n\u003cp\u003eNo. 4 is therefore an especially important issue within the short run: it captures the moment when San Francisco's scene was no longer isolated, but actively exchanging images, ideas, music, and people with New York, London, and continental Europe. The Gatewood cover, the international scope of its contents, and its fragile original tabloid format make it a particularly strong primary document of punk's first cultural network.\u003c\/p\u003e","brand":"search \u0026 destroy","offers":[{"title":"Default Title","offer_id":67649120502048,"sku":null,"price":2500.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0878\/0202\/0128\/files\/search-and-destroy-4-cover-intermission.jpg?v=1791266546"},{"product_id":"facade-5-1977-mick-jagger","title":"FACADE — NO. 5 (1977), MICK JAGGER COVER","description":"\u003cp\u003e\u003cstrong\u003ePublished by:\u003c\/strong\u003e Façade, 21 rue du Renard, Paris\u003cbr\u003e\u003cstrong\u003eYear:\u003c\/strong\u003e 1977\u003cbr\u003e\u003cstrong\u003ePublisher:\u003c\/strong\u003e Alain Benoist\u003cbr\u003e\u003cstrong\u003eEditorial Team:\u003c\/strong\u003e Alain Benoist, Jean-Luc Maître, Laurent Laclos, Thierry Ardisson\u003cbr\u003e\u003cstrong\u003eIssue:\u003c\/strong\u003e No. 5\u003cbr\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 29.7 × 21 cm\u003cbr\u003e\u003cstrong\u003eLanguage:\u003c\/strong\u003e French\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Tabloid\u003cbr\u003e\u003cstrong\u003ePages:\u003c\/strong\u003e 38\u003cbr\u003e\u003cstrong\u003eISSN:\u003c\/strong\u003e 0397-5061\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eVery Good — exceptionally well preserved overall. The back cover bears a handwritten blue-ink inscription reading “Peter Boyle \/ Yes \/ Joan Baez \/ Robert De Niro,” a personal note left by the previous collector. The upper edge of the magazine shows visible damage and signs of handling. Aside from these details, the cover and interior remain in excellent condition, with no other significant imperfections.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFaçade\u003c\/em\u003e was the Parisian magazine founded in 1976 by Alain Benoist and Hervé Pinard, emerging from the city's nightlife and fashion culture at the precise moment when punk, glam, disco, and the new Parisian avant-garde were beginning to overlap. Published until 1983 across fourteen issues, the magazine became one of the defining printed records of Parisian nightlife, fashion, music, and contemporary art during the late 1970s and early 1980s.\u003c\/p\u003e\n\u003cp\u003eIssue No. 5, published in 1977, features \u003cstrong\u003eMick Jagger\u003c\/strong\u003e on its cover, immediately establishing the magazine's position between established rock culture and the rapidly changing underground scene. Rather than functioning solely as a fashion publication, \u003cem\u003eFaçade\u003c\/em\u003e brought together musicians, artists, photographers, designers, writers, and figures from Parisian nightlife within the same visual and editorial universe.\u003c\/p\u003e\n\u003cp\u003eThe contributors form an extraordinary map of the period. The editorial team included Thierry Ardisson, while the issue brings together Pierre Commoy — later one half of the photographic duo Pierre et Gilles — nightlife chronicler Alain Pacadis, Maud Molyneux, Philippe Sollers, photographer Claude Rank, and designers Adeline André and Junko Shimada.\u003c\/p\u003e\n\u003cp\u003eThe issue also contains an \u003cstrong\u003eIssey Miyake advertisement photographed by Guy Bourdin\u003c\/strong\u003e, an advertisement for the Sex Pistols' Paris performance, and features on \u003cstrong\u003eIggy Pop\u003c\/strong\u003e and \u003cstrong\u003eCharles Bukowski\u003c\/strong\u003e. These juxtapositions are central to the identity of \u003cem\u003eFaçade\u003c\/em\u003e: high fashion, international rock, underground literature, photography, and Parisian nightlife existing within the same publication.\u003c\/p\u003e\n\u003cp\u003ePrinted by Imprimerie Tourneville in Gentilly, the magazine was distributed not only throughout Paris but also in the United States, Canada, and Japan, reflecting the international network surrounding French fashion and culture at the time.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFaçade\u003c\/em\u003e remains an important document of the Paris scene surrounding the Palace generation, where fashion, punk, art, nightlife, and celebrity culture began to collapse into a single visual language. Issue No. 5 captures that transition at an especially important moment in 1977, when the energy of British punk was entering Paris while the city's own fashion and nightlife culture was developing an increasingly international identity.\u003c\/p\u003e\n\u003cp\u003eAn exceptionally well-preserved copy of one of the key early issues of \u003cem\u003eFaçade\u003c\/em\u003e, documenting the intersection of Parisian nightlife, fashion, photography, and punk culture in the late 1970s.\u003c\/p\u003e","brand":"Façade","offers":[{"title":"Default Title","offer_id":67672652316960,"sku":null,"price":6500.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0878\/0202\/0128\/files\/facade-5-1977-mick-jagger-cover-intermission.jpg?v=1791342116"},{"product_id":"maximum-rocknroll-54-november-1987","title":"MAXIMUM ROCKNROLL — NO. 54 (NOVEMBER 1987), BOMP! PARODY COVER","description":"\u003cp\u003e\u003cstrong\u003ePublished by:\u003c\/strong\u003e Maximum Rocknroll, P.O. Box 288, Berkeley, California\u003cbr\u003e\u003cstrong\u003eYear:\u003c\/strong\u003e November 1987\u003cbr\u003e\u003cstrong\u003eIssue:\u003c\/strong\u003e No. 54\u003cbr\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 27.9 × 21.6 cm\u003cbr\u003e\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Magazine on newsprint, staple-bound\u003cbr\u003e\u003cstrong\u003ePages:\u003c\/strong\u003e 64\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Fine — exceptionally well preserved, with no visible imperfections, damage, or signs of wear. The cover, binding, and interior pages remain in excellent condition, with the copy preserved in remarkably clean condition.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMaximum Rocknroll\u003c\/em\u003e was the Berkeley punk zine that became an international point of reference for hardcore, DIY punk, and underground music culture. Issue No. 54, published in November 1987, opens with a deliberately irreverent parody cover, placing the MRR masthead over the ghost of the \u003cem\u003eBomp!\u003c\/em\u003e logo, alongside the headline “England’s Screaming: A Chronology of the Early U.K. Punk Scene” and the handwritten-style provocation “A F*CK’IN RIP OFF?” in the corner.\u003c\/p\u003e\n\u003cp\u003eInside, the issue moves across an international network of punk scenes, featuring Rubella Ballet, Heretics, Political Reform, So Much Hate, Phobia, Generic Life, the Finnish bands Musta Romanssi and Sabotaasi, Iowa Beef Experience, Surrogate Brains, and Patria Armada. The issue also includes a special report on ear damage and “The Politics of Punk,” reflecting MRR’s characteristic combination of music documentation, political consciousness, scene reporting, and DIY culture.\u003c\/p\u003e\n\u003cp\u003eThe back cover features an advertisement for \u003cem\u003eTurn It Around!\u003c\/em\u003e, Maximum Rocknroll’s compilation documenting the East Bay punk scene surrounding 924 Gilman Street, with Operation Ivy, Crimpshrine, Isocracy, Sweet Baby Jesus, and Yeastie Girlz. Additional advertisements promote the photozine \u003cem\u003eWelcome to Cruise Country\u003c\/em\u003e and the Polish punk band Dezerter.\u003c\/p\u003e\n\u003cp\u003eProduced entirely within the independent infrastructure that surrounded Maximum Rocknroll, the issue captures the magazine at a crucial moment in the development of international hardcore and DIY networks. Its pages function simultaneously as music journalism, correspondence network, political document, and archive of scenes that were largely operating outside the commercial music industry.\u003c\/p\u003e","brand":"maximum rocknroll","offers":[{"title":"Default Title","offer_id":67673016664352,"sku":null,"price":1500.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0878\/0202\/0128\/files\/maximum-rocknroll-54-november-1987-cover-intermission.jpg?v=1791343217"},{"product_id":"kim-gordon-mike-kelley-fama-fortune-heft-8-1991","title":"KIM GORDON \u0026 MIKE KELLEY — FAMA \u0026 FORTUNE, HEFT 8 (1991), PAKESCH \u0026 SCHLEBRÜGGE","description":"\u003cp\u003e\u003cstrong\u003eFeatured Artists:\u003c\/strong\u003e Kim Gordon, Mike Kelley\u003cbr\u003e\u003cstrong\u003eTypesetting:\u003c\/strong\u003e PCG Wien\u003cbr\u003e\u003cstrong\u003ePublisher:\u003c\/strong\u003e Verlag Pakesch \u0026amp; Schlebrügge, Vienna\u003cbr\u003e\u003cstrong\u003eYear:\u003c\/strong\u003e November 1991\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Heft 8 \/ Issue No. 8\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Softcover\u003cbr\u003e\u003cstrong\u003ePages:\u003c\/strong\u003e 32 — unpaginated\u003cbr\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 27 × 17 cm\u003cbr\u003e\u003cstrong\u003eLanguage:\u003c\/strong\u003e English \/ German\u003cbr\u003e\u003cstrong\u003eISBN:\u003c\/strong\u003e 3-8898022-0\u003cbr\u003e\u003cstrong\u003ePrinter:\u003c\/strong\u003e REMAprint, Vienna\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Fine — exceptionally well preserved, with no visible defects.\u003c\/p\u003e\n\u003cp\u003eIssue No. 8 of \u003cem\u003eFama \u0026amp; Fortune\u003c\/em\u003e, the artist-publication series issued in Vienna by Peter Pakesch and Johannes Schlebrügge, brings together Kim Gordon and Mike Kelley in a compact publication dating from November 1991.\u003c\/p\u003e\n\u003cp\u003eConceived as artist-driven printed objects rather than conventional exhibition catalogues, \u003cem\u003eFama \u0026amp; Fortune\u003c\/em\u003e was issued in small formats and circulated through the Viennese and international contemporary art scene of the early 1990s. The series reflects a period in which independent publishing became an important extension of artistic practice, allowing artists to work directly with image, text, and reproduction.\u003c\/p\u003e\n\u003cp\u003eThe pairing of Gordon and Kelley captures a particularly fertile intersection between underground music and contemporary art. Gordon, best known as a founding member of Sonic Youth, was also deeply engaged with visual art and writing, while Kelley had established himself as a major figure in the Los Angeles art scene through a practice concerned with memory, popular culture, objects, performance, and the darker psychology of American life.\u003c\/p\u003e\n\u003cp\u003eThe issue documents a moment in which these two spheres increasingly overlapped. Kelley’s work would appear on the cover of Sonic Youth’s \u003cem\u003eDirty\u003c\/em\u003e the following year, making this publication an especially evocative record of the cultural exchange developing between downtown music and contemporary art at the beginning of the 1990s.\u003c\/p\u003e\n\u003cp\u003eTypeset by PCG Wien and printed by REMAprint in Vienna, the issue retains the direct, modest physical character central to the series. Its small format and limited pagination reinforce its status as an intimate artist publication rather than a conventional institutional document.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFama \u0026amp; Fortune No. 8\u003c\/em\u003e is a particularly strong collectible for its connection to both Kim Gordon and Mike Kelley, and for the way it preserves a precise moment in the convergence of experimental music, artist publishing, and contemporary art.\u003c\/p\u003e","brand":"kim gordon \u0026 mike kelley","offers":[{"title":"Default Title","offer_id":67686276530464,"sku":null,"price":3000.0,"currency_code":"MXN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0878\/0202\/0128\/files\/kim-gordon-mike-kelley-fama-fortune-heft-8-1991-cover-intermission.jpg?v=1791484978"}],"url":"https:\/\/intermissionbooks.com\/collections\/music-subculture.oembed?page=3","provider":"intermission books","version":"1.0","type":"link"}